The final Huddersfield 2010 highlights programme had a fair range of what the festival had to offer, but what on Earth was Sara Mohr-Pietsch on about when the transition was made from Cage to Barrett? She really did get their relation to improvisation quite the wrong way round. Contrary to what she claimed, Cage was pretty much dead set against improvisation while Barrett includes improvisatory sections in many (most) of his compositions and is himself an improving musician of international renown. A little more homework please Ms. Mohr-Pietsch. Let's hope Mr. Barrett was not to wounded by her gaff.