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Thread: Prom 26: Wednesday 3rd August at 7.30 p.m. (French music)

  1. #51
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    Quote Originally Posted by MickyD View Post
    To this I would also urge you to hear the new Stravinsky Firebird CD from another period orchestra, Les Siècles under Francois-Xavier Roth - it was previewed on CD Review not long ago. A live performance which I find absolutely thrilling, with the period wind instruments really making a difference to the textures.
    Many thanks, MickyD - according to Amazon it's not released until 24 October but it's on my list

    Extra extra: Just found it on Spotify and I'm really enjoying it in spite of Spotify's low volume setting - wonderful sonorities
    Last edited by amateur51; 26-09-11 at 15:23.

  2. #52
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    Quote Originally Posted by amateur51 View Post
    Many thanks, MickyD - according to Amazon it's not released until 24 October but it's on my list

    Extra extra: Just found it on Spotify and I'm really enjoying it in spite of Spotify's low volume setting - wonderful sonorities
    If you can't wait that long, do as I did, amateur, and order it on French Amazon...it's been available on there for a while. You also get a good bonus with "Les Orientales", a collection of other composers' dance works which were collected together originally as a preface to The Firebird. Les Siècles have been releasing some interesting stuff - the Saint Saens organ symphony, Chabrier, Gounod and there is also a disc of the Poulenc Organ Concerto which I am tempted to order. Recordings are first-rate.

  3. #53
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    Quote Originally Posted by Ventilhorn View Post
    Hi there, bluestateprommer,

    If I had recorded that broadcast for future listening, I too would have taken out the Dutilleux, because, much as I admire his work, it does not belong in the context of French romantic composers of the early 2oth century (I might, perhaps, have retained it to put with some Dusapin, Boulez and, possibly, Milhaud)

    I don't think that this is as much a case of "dumbing down" as evening out the programme. The BBC seems to think that its mission in life is to introduce new commissions and modern works into nearly every Prom concert. A commercial broadcasting organisation does not feel such a need - they don't want to risk their listeners switching off before the commercial break.
    For VH, thanks for the reply. I guess my irk-ness at what SymphonyCast did was biased by the fact that I knew what the original program had been, and that SC should have respected the original program as presented (although Lynn Harrell was present in the broadcast in the form of the weekly "encore contest", after La mer). I actually liked the inclusion of the Dutilleux concerto in the midst of that program, so we obviously agree to disagree there. Knowing US classical radio as I do, it is a case here of "dumbing down" for the US audience.

    I should also have been clear about SymphonyCast, in that it is part of the "public radio" US network (National Public Radio and such), which tries to be non-commercial radio except for underwriting announcements on the hour or half hour. Commercial classical radio in the USA is few and far between.

    (As a sidebar, the Proms management missed a trick in not programming at least one of the Dutilleux symphonies for this past season, as either 1 or 2 would have been welcome at The Proms in his 95th b-day year. Would have been preferable to have both, of course.)

  4. #54
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    "If you can't wait that long, do as I did, amateur, and order it on French Amazon.."

    Thanks for the recommendation, MickyD. Duly ordered (and it's not very expensive, at least by comparison with the usual price of CDs here in sunny France).

  5. #55
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    You're right, HighlandDougie - prices for this locally based publisher Actes Suds' recordings are quite reasonable. Where are you exactly in French France by the way?

  6. #56
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    I'm in the Alpes Maritimes, north of Nice and on the edge of the Mercantour National Park. Very scenic but not so remote that I can't get to the coast for concerts/opera (off to hear Jean-Efflam Bavouzet in Monte Carlo on Sunday, for instance).

    The Firebird arrived yesterday and was the 'launch CD' for my new Naimuniti (which also arrived yesterday). What a thrilling performance (and recording). As you said, the sonorities Roth achieves with his orchestra are well worth hearing in their own right but with the bonus of the fine performance and exceptionally full-ranged recording. Great 'fill-up', too. I fell an exploration of their other CDs coming on

  7. #57
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    Hi Dougie,

    So pleased you share my enthusiasm for that disc. The Saint Saens Organ Symphony CD has similar sonic qualities, it being recorded by the same label. I gather there is also a Symphonie Fantastique, too. Their CD of Chabrier and Gounod is pleasing, but I don't think the recording is as pleasing, it has a much closer acoustic. I will soon get hold of their Poulenc Organ Concerto, as I feel it must be worth a listen. By the way, what a nice part of the country you are in!

  8. #58
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    One last comment I forgot in my earlier post about the SymphonyCast "dumbing down" of this Prom for US audiences when they took out the Dutilleux, namely that an orchestra friend had attended this concert in person in London, and when I told her what had happened for the SymphonyCast presentation, her face dropped and she said:

    "Why did they do that? That was the best part!"

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