
Originally Posted by
Chris Newman
I know what you mean, Petrushka. But there was and must always be the hope that traditional musical goodwill (the sort advocated by Daniel Barenboim and his wonderfully intentioned West Eastern Divan Orchestra) would succeed. I feel sorrow for Zubin Mehta and the IPO musicians as I did for the USSRSSO, Rostropovich and Oistrakh in 1968. I detested what the Eastern Bloc did on on the 20th of August of that year. I went to the USSRSSO concerts in sadness but to hear the music: then shouted my protest up the road at the embassy by Kensington Palace and went to the extra "Prom" where Barenboim and du Pre repeated the Dvorak Cello Concerto (Sunday Proms were rare in those days). I believe that the arts should be there to build bridges and there must always be hope that they will. I believe that Israel has become the creator of its own woes but it will not be moved to fairness by yobbish behaviour.
Agree with this 100%. What I question is the booking of the IPO in the first place when anyone with half a brain could have predicted the likely outcome. Indeed, when I first glanced through the Proms Guide back in April I said this would happen and instantly crossed it off my list. So, so predictable.
“Every piece of music is a rehearsal of one’s life,” - Sir Colin Davis