Our Summer BAL: Brahms Serenade No 1

[aeolium]

Thought I'd help verismissimo out with the summer BALs by opting for one of Brahms' sunniest works, the first Serenade. This work gives the lie to the misconceived idea among some of Brahms as a purveyor of dour, earnest and heavy music as it has such a lyrical freshness.

There seem to be plenty of choices from Toscanini and Boult to Abbado (with BPO and Mahler Chamber Orchestra), Mackerras, Tilson Thomas, Haitink, Belohlavek, Wand, Bernstein inter al. I first heard this work in the version with Kertesz and the LSO which I still think is superb - the LSO on top form. The Abbado/Mahler CO version which was played on Classical Collection this morning was slightly disappointing as it was sluggish in some places with excessive rubato.

Any particular preferences? I would expect Haitink's version with the Concertgebouw to be impressive on the basis of his Brahms performances last week with the COE.

[barber olly]

Thought I'd help verismissimo out with the summer BALs by opting for one of Brahms' sunniest works, the first Serenade. This work gives the lie to the misconceived idea among some of Brahms as a purveyor of dour, earnest and heavy music as it has such a lyrical freshness.

There seem to be plenty of choices from Toscanini and Boult to Abbado (with BPO and Mahler Chamber Orchestra), Mackerras, Tilson Thomas, Haitink, Belohlavek, Wand, Bernstein inter al. I first heard this work in the version with Kertesz and the LSO which I still think is superb - the LSO on top form. The Abbado/Mahler CO version which was played on Classical Collection this morning was slightly disappointing as it was sluggish in some places with excessive rubato.

Any particular preferences? I would expect Haitink's version with the Concertgebouw to be impressive on the basis of his Brahms performances last week with the COE.

Kertesz, Abbado in either recordings, also many years ago I remember a very good prom performance with COE. I agree that it is a wonderfully sunny work (Brahms can be dark at times) and has fared well on CD/LP over the years. Boult also very good.

[verismissimo]

Wonderful choice, aeolium. I've only ever had Haitink with the Concertgebouw from 1978. I'll re-visit it!

[Dave2002]

Kertesz, Abbado in either recordings, also many years ago I remember a very good prom performance with COE. I agree that it is a wonderfully sunny work (Brahms can be dark at times) and has fared well on CD/LP over the years. Boult also very good.

That's me done then. I would have suggeted Boult and Kertesz. Interesting to see what others come up with.

[makropulos]

Any particular preferences? I would expect Haitink's version with the Concertgebouw to be impressive on the basis of his Brahms performances last week with the COE.

What a lovely piece this is!
My own favourites are the wonderfully invigorating recordings by Mackerras/SCO (Telarc) and Kertesz/LSO (Decca), along with Brusilow/Philadelphia Chamber Players (never officially released on CD, on an RCA Victor LP). Haitink is very good too, though not quite as ebullient. Much as I admire him in so much repertoire, I find Abbado slightly disappointing in this piece. Ditto Boult but the problem there is some less than impeccable orchestral playing.

[barber olly]

What a lovely piece this is!
along with Brusilow/Philadelphia Chamber Players (never officially released on CD, on an RCA Victor LP).

I had forgotten this one - nicely played with small forces if I remember correctly, definitely a candidate for the recordings to be reissued thread.

[vinteuil]

yes - for me Bernard Haitink / Koninklijk Concertgebouworkest, 1976, Philips.

I find I also have Frans Brüggen / Radioorkest on the Brilliant intégrale - I blush to say not yet listened to - must rectify this weekend (perhaps a counterblast to the Notting Hill Carnival half a mile away... )

[Caliban]

yes - for me Bernard Haitink / Koninklijk Concertgebouworkest, 1976, Philips.

Ditto - an absolutely magical recording. I also have the Kertesz but it doesn't match the almost miraculous combination of a joyful rhythmic pulse with nonetheless a sense of ease that Haitink gets perfectly right. One of my favourite CDs.

I happened to catch the Abbado / Mahler CO on the radio this morning - strangely lacking in just that sense of impetus that enlivens the Haitink. Abbado seemed to be going for something dreamy even in the faster movements, but I found it just too slow and a bit soporific.

[Don Petter]

I thought the Abbado this morning was distinctly lacklustre. Coming to it 'blind' in the car it took quite a while to even realise it was Brahms.

[Alison]

Ditto - an absolutely magical recording. I also have the Kertesz but it doesn't match the almost miraculous combination of a joyful rhythmic pulse with nonetheless a sense of ease that Haitink gets perfectly right. One of my favourite CDs.

Spot on, Caliban.