Research into 'world music'

[joepaulreynolds]

Hello,

I'm Joe, a human geography undergraduate at The University of Sheffield. My dissertation research is looking at opinions, feelings and interpretations of 'world music'.

Why is the term 'world music' such a contentious phrase? How can all countries outside the UK be grouped into one mega-genre? Which music made/recorded in the UK is considered 'world music' and why?

Are British people attracted to global sounds due to its exoticism: listening to 'out there' from 'in here'? Do people from different nationalities living in the UK have different opinions compared to those who are of white British heritage?

Do people choose to listen to music from overseas due to an interest in that country, or is it a pure and simple appreciation of the music itself? Do you think world music broadcast on BBC Radio 3 a fair representation of the multicultural society of the UK? How would you improve the content of world music shows on Radio 3?

Please respond to the issues raised in this post; I'd love to hear your comments. Be as brutally honest, I'm ready for it!

Thanks,

Joe

[Globaltruth]

Hello,

I'm Joe, a human geography undergraduate at The University of Sheffield. My dissertation research is looking at opinions, feelings and interpretations of 'world music'.

Why is the term 'world music' such a contentious phrase? How can all countries outside the UK be grouped into one mega-genre? Which music made/recorded in the UK is considered 'world music' and why?

Are British people attracted to global sounds due to its exoticism: listening to 'out there' from 'in here'? Do people from different nationalities living in the UK have different opinions compared to those who are of white British heritage?

Do people choose to listen to music from overseas due to an interest in that country, or is it a pure and simple appreciation of the music itself? Do you think world music broadcast on BBC Radio 3 a fair representation of the multicultural society of the UK? How would you improve the content of world music shows on Radio 3?

Please respond to the issues raised in this post; I'd love to hear your comments. Be as brutally honest, I'm ready for it!

Thanks,

Joe

Hey Joe - good luck with this. A bit of further background about you may be useful.
Why did you choose this subject?
Do you have a particular interest and/or experience in this area?
Who else are you talking to? [we may be able to point you at some people and places..here's an authority for starters - Dr. Lucy
And what are you listening to right now?


'World Music' is a marketing phrase, pure and simple.

You may want to nip off and read this bit of history....

http://www.frootsmag.com/content/fea...story/minutes/


Lat's going to love this....

More later...

[johncorrigan]

[I]Lat's going to love this....

Couldn't agree more Global - Lat'll come and write your thesis for you Joe if you talk nicely to him.

I started to listen to music from other parts of the world rather than just UK/US pop/ rock because I realised there was a lot more out there to enjoy. The record that really persuaded me was Orchestra Baobab's classic Pirate's Choice although I had been listening to some stuff before that. I also loved the Indestructible Beat of Soweto records. The records take you somewhere different. There was also some magnificent musicians - Ali Farka Toure, Tony Allen among others - recording and we were only just becoming aware of them. I suppose it takes you past that arrogance that suggests the only people worth listening to exist in the West. Of course you look for some of those roots - the roots of the blues, reggae, bluebeat and it draws you to the way that music moves around the globe and influences itself. And of course the blues heading back across to influence the likes of Ali Farka Toure and Tinariwen - of course Paul Simon and Taj Mahal and Ry Cooder and others have benefited and also opened doors. ....and that's only a small part of the African continent - there's loads more out there. Ali Bain's great series Down Home showed the movement of British and French music across to the States and then back again, changing and influencing.

Joe it's a big topic and I would agree with Global - what are you listening to?
Are you on Spotify as there's some fine playlists we could point you to. This one is 257 songs not in the English Language
http://open.spotify.com/user/trautig...8c6YkeC8r3Py50

[Paul Sherratt]

>>what are you listening to?

John, it'll be Dub, pound to a penny.
Nowhere near enough heard on our wireless sets nowadays.

[Paul Sherratt]

So while we're all constructing replies to Joe he might like to listen to this ( amongst other tings )
http://www.youtube.com/watch?v=LPeUlMEJibo
PLAY LOUD
Music of the world.

[french frank]

Also, is there any reason to divide music up in any way: e.g. classical, folk, jazz, pop, rock - and the various fragmented forms of popular music. Why do we do that, and, if we do (divide it, for example, in those particular genres), why can't music from all parts of the world be divided into those same genres? What genres would fall outside those categories?

[Which, of course, brings us back to why we categorise music anyway.]

[Globaltruth]

Also, is there any reason to divide music up in any way: e.g. classical, folk, jazz, pop, rock - and the various fragmented forms of popular music. Why do we do that, and, if we do (divide it, for example, in those particular genres), why can't music from all parts of the world be divided into those same genres? What genres would fall outside those categories?

[Which, of course, brings us back to why we categorise music anyway.]

We only pretend to on this board so we can use your wonderful free forum ff (in a fawning, Heep-like way).

Really we're all Neil Diamond fans. [slaps own wrist]


aargh - mustn't frighten the lad off...

[Al R Gando]

Many people who enjoy classical music are open to other listening experiences from outside that genre too. This tradition of eclecticism dates back for centuries, and classical composers have been working the sounds of "non-classical" music into their works for hundreds of years. The experience of live gamelan music had a big impact on western music at the turn of the C19th-C20th. Mozart and Beethoven incorporated the sound of the near-eastern Jannissary bands into their pieces. Bach reproduced the busking of Italian shepherd bagpipe bands when the shepherds make their entrance in The Christmas Oratorio.

So an interest in non-classical musics has been with us for a rather long time

[Globaltruth]

So while we're all constructing replies to Joe he might like to listen to this ( amongst other tings )
http://www.youtube.com/watch?v=LPeUlMEJibo
PLAY LOUD
Music of the world.

Dub wise

http://open.spotify.com/album/7Mk8jMrNArEgMIYBL39dqr

New to me -thx; right now.

Now why did it remind me of this...[caution - contains lots of bad language]

http://www.youtube.com/watch?v=En4ase-1-FA

[Lateralthinking1]

Yes, I do have several million thoughts racing round my head. Joe, I will be writing, erm, more. For now, I would say that the froots link GT has provided is essential. It is my immediate reference point whenever anyone has the audacity to suggest World Music should be called anything else. Here is another bit about those meetings while I regroup and try to become useful:

http://www.guardian.co.uk/music/2004/jun/29/popandrock1