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Thread: BaL 8.10.11 Tchaikovsky's Queen of Spades

  1. #1
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    Default BaL 8.10.11 Tchaikovsky's Queen of Spades

    9.30 a.m. on CD Review.
    David Nice with a personal recommendation from the available recordings of Tchaikovsky's opera The Queen of Spades.

    Available recordings:

    Chor der Bayerischen Staatsoper & Bayerisches Staatsorchester, Algis Shuraitis
    Orchestra & Chorus of the Bolshoi Theatre, Alexander Melik-Pasheyev
    Orchestra and Chorus of La Scala, Nino Sanzogno
    Orchestre des Grands Ballets Canadiens de Montréal, Jacques Lacombe
    Bolshoi Theatre Chorus and Orchestra, Mark Ermler
    Radio-Sinfonie-Orchester Berlin, Städtische Oper Berlin, Arthur Rother
    Kirov Opera & Orchestra, Valery Gergiev
    Tanglewood Festival Chorus & Boston Symphony Orchestra, Seiji Ozawa
    Chorus and Orchestra of the Bolshoi Theatre, Samuel Samosud
    Chœur Tchaikovsky Maîtrise de Radio France Orchestre National de France, Mstislav Rostropovich



    DVD
    Glyndebourne Chorus, London Philharmonic Orchestra, Andrew Davis, stage direction by Graham Vick
    Svetlana Lunkina & Yan Godovsky, Dancers and Orchestra of Bolshoi Theatre, Vladimir Andropov
    Vladimir Galouzine & Hasmik Papian
    Gennadi Rozhdestvensky (conductor) & Lev Dodin (stage director)
    Bolshoi Opera
    Symphony Orchestra and chorus of the Gran Teatre del Liceu, Michael Boder (conductor) & Gilbert Deflo (director) [Also Blu Ray]
    Kirov Opera Orchestra & Chorus, Valery Gergiev

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    I'm looking forward to this one. A work I know only that it exists! Some very tempting items on your menu, above, AlpenS. I'd like to think a Slavonic-based performance would be a top recommendation, but there are some other wonderful 'outsiders' listed as well.... I admire you always taking the time to research available versions, etc. A veritable oracle if ever there was one!
    If I was a gambler, I'd put my dosh on Gergiev, then Rostropovich, then Ermler.

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    Queen of Spades seems such a weird work for its time. At least that's how it strikes me.

    Do its weirdness spring from the original Pushkin story? Or the libretto by Tchaikovsky's brother, Modest? Or from the music itself? Or from the various productions that I've seen over the years?

    Aside from some fascinating very early recordings of arias, I have Gergiev with his St Petersburg company. Listening again today.

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    I saw this just once - at the Sadlers Wells threatre in the pre-ENO days. It had a profound effect on me that has never really worn off.

  5. #5

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    Probably my favourite Tchaikovsky opera that rarely fails to deliver drammatically. The Maria Bjornson sparsely designed and beautiful production at ENO that I saw twice in the 80s was a delight and somewhat more effective than the more recent 'Ice Heap' Zambello effort at the ROH.

    Like Onegin the piece starts innocently enough but grows into a very effective psychological, not to say paranoid, drama.

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    I dont know this opera. Opera is one of those genres of music that sometimes I feel I like to let my imnagination go with the plot, but then its always also, good to watch a dvd/Ble-Ray to!
    Music washes away from the soul the dust of everyday life(Berthold Auerbach)

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    Confession time, I think. Every ime time I listen to my Decca Ace of Diamonds Grand Opera LP set of this work, I am reminded of how I never paid for it. Not that I'm a crook. I was an improverished student when I placed a mail order. There was no reply for weeks, so I assumed the order had gone astray and wrote to explain that I was stopping the cheque, which I did. The LPs arrived on the following day. I awaited further instructions, but heard nothing more. But the overwhelming sense of guilt remains.


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    So far, a very interesting and perceptive BaL. The sound balance on FM is very strange this morning; the presenter speaks at a normal level, but the musical excerpts sound far too mutes. For heaven's sake - this is Tchaikovsky at his greatest. Let him be heard!

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    Quote Originally Posted by Eine Alpensinfonie View Post
    So far, a very interesting and perceptive BaL. The sound balance on FM is very strange this morning; the presenter speaks at a normal level, but the musical excerpts sound far too mutes. For heaven's sake - this is Tchaikovsky at his greatest. Let him be heard!
    Enjoyed listening to the reviewer but I'm afraid for me the music and performances are just impenetrably awful. The two words which stuck out from David Nice's commentary were "raucous' and 'histrionic' (the latter used twice, I think). I am so far from spending money on a recording of this piece - cause for celebration there!

    "The isle is full of noises... Sounds, and sweet airs, that give delight and hurt not"
    The Tempest, Act III scene 2 ll 148-9

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    There isn't really a satisfactory recording of this work. Either the recorded sound is dated, as is the 59 year old recommended version, or there is too much Russian wobble. Nevertheless, I'm tempted to order the 60CD Brilliant Classics Tchaikovsky edition.

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