Is the "hyperbass Flute" the same as the "Contrabass Flute": that elaborate piece of plumbing that looks like a large bathroom towel heater and sounds like a distant, breathy Siren, luring unwary seafarers onto the rocks?
Carla Rees used to own the only(?) such instrument in the UK before this:
http://www.justflutes.com/fund-for-c...es-page66.html
At the risk of getting intolerably far from Bryn Terfel, there is, now I think of it, wonderful bass and alto flute on Morton Feldman's late trio pieces, like Why Patterns?, Crippled Symmetry and For Philip Guston. The last, although a challenge at nearly four and a half hours long, is in my humble opinion one of the defining works by one of the very greatest composers of the century.
I find this all much more interesting than squabbling over Bryn Terfel, oh Royal Greeting!
Totally agree with you about Feldman; anyone who "gets" For Philip Guston won't have a problem with Nono.
That was a terrible thing - I hope the donations for Carla Rees are coming in. Here's a small picture of Fabbriciani with the beast http://musiccatalog.info/wp-content/...hyperbass1.jpg
For Philip Guston. The last, although a challenge at nearly four and a half hours long, is in my humble opinion one of the defining works by one of the very greatest composers of the century.
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I'll drink to that, though I have only ever heard it via the recordings by the California EAR Unit (Bridge) and Breuer, Engler & Schramel on Wergo. One day ...
In the meantime, I take it you will be in Glasgow next spring for the Smith Quartet playing SQ2.
Oh, I forgot to mention, re. bring the bass flute up in the mix, that I heard no such need when Nigel Osborne's Sinfonia (number 1) was premièred at the Proms in 1982.