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Thread: Terfel

  1. #81

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    Quote Originally Posted by John Skelton View Post
    I was thinking of the two works on this CD http://www.prestoclassical.co.uk/w/168353.

    The remarkable Roberto Fabbriciani plays the hyperbass flute on this http://www.mdt.co.uk/MDTSite/product//WWE1CD20254.htm!
    Thanks!

    I have been fascinated by bass flutes ever since walking at an impressionable age past a shop in New York,in the window of which was a big red sign, which read: 'GRAND BASS FLUTE SALE!'.

  2. #82

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    Is the "hyperbass Flute" the same as the "Contrabass Flute": that elaborate piece of plumbing that looks like a large bathroom towel heater and sounds like a distant, breathy Siren, luring unwary seafarers onto the rocks?

    Carla Rees used to own the only(?) such instrument in the UK before this:

    http://www.justflutes.com/fund-for-c...es-page66.html

  3. #83

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    At the risk of getting intolerably far from Bryn Terfel, there is, now I think of it, wonderful bass and alto flute on Morton Feldman's late trio pieces, like Why Patterns?, Crippled Symmetry and For Philip Guston. The last, although a challenge at nearly four and a half hours long, is in my humble opinion one of the defining works by one of the very greatest composers of the century.

  4. #84

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    I find this all much more interesting than squabbling over Bryn Terfel, oh Royal Greeting!

    Totally agree with you about Feldman; anyone who "gets" For Philip Guston won't have a problem with Nono.

  5. #85
    John Skelton Guest

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    That was a terrible thing - I hope the donations for Carla Rees are coming in. Here's a small picture of Fabbriciani with the beast http://musiccatalog.info/wp-content/...hyperbass1.jpg

    For Philip Guston. The last, although a challenge at nearly four and a half hours long, is in my humble opinion one of the defining works by one of the very greatest composers of the century.


  6. #86
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    Quote Originally Posted by John Skelton View Post
    For Philip Guston. The last, although a challenge at nearly four and a half hours long, is in my humble opinion one of the defining works by one of the very greatest composers of the century.

    I'll drink to that, though I have only ever heard it via the recordings by the California EAR Unit (Bridge) and Breuer, Engler & Schramel on Wergo. One day ...

    In the meantime, I take it you will be in Glasgow next spring for the Smith Quartet playing SQ2.

    Oh, I forgot to mention, re. bring the bass flute up in the mix, that I heard no such need when Nigel Osborne's Sinfonia (number 1) was premièred at the Proms in 1982.

  7. #87

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    Quote Originally Posted by Bryn View Post
    I'll drink to that, though I have only ever heard it via the recordings by the California EAR Unit (Bridge) and Breuer, Engler & Schramel on Wergo. One day ...

    In the meantime, I take it you will be in Glasgow next spring for the Smith Quartet playing SQ2.

    Oh, I forgot to mention, re. bring the bass flute up in the mix, that I heard no such need when Nigel Osborne's Sinfonia (number 1) was premièred at the Proms in 1982.
    I have the Hat Now recording with Eberhard Blum, Nils Vigeland and Jan Williams.

    SQ2 in Glasgow sounds unmissable. Do you have a link?

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