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Thread: Essential Classics - a programme surely on the wrong station

  1. #341
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    Just to add that there was a classic example of the Fill the Gap with Unannounced Masterpieces syndrome today on EC. The 11.00 slot (published) was Copland's Billy the Kid, something I didn't want to hear, but I thought, wait a minute, that only lasts 20 minutes or so, so that leaves 35-40 minutes unaccounted for in the schedule. And what did we have? First, Bruckner's Christus factus est, well worth hearing, and then Mendelssohn's Octet, one of the masterpieces of the chamber repertoire, in an excellent performance by artists including Christian Tetzlaff, Lisa Batiashvili, Isabelle Faust and Antoine Tamestit, a live recording from the 2008 Spannungen Festival in Heimbach. And the pre-published 'star turn' was Billy the Kid!

    EDIT. For the record, the list of substantial works, unheralded, performed in the post-11.00 slot on Essential Classics this week:

    Tuesday 26 June 11.29am
    Wolfgang Amadeus Mozart Clarinet Quintet, K.581
    Performers: George Pieterson (clarinet), Grumiaux Quartet

    Wednesday 27 June 11.26am
    Wolfgang Amadeus Mozart Piano Concerto in G, K.453
    Performers: Annerose Schmidt (piano), Dresden Philharmonic, Kurt Masur (conductor)

    Thursday 28 June 11.48am
    Gustav Holst Lyric Movement for Viola and Orchestra
    Performers: Cecil Aronowitz (viola), English Chamber Orchestra, Imogen Holst (conductor)

    Friday 29 June 11.27am
    Felix Mendelssohn Octet, Op.20
    Performers: Christian Tetzlaff, Isabelle Faust, Lisa Batiashvili, Antje Weithaas (violins), Rachel Roberts, Ori Kam (violas), Tanya Tetzlaff, Quirine Viersen (cellos)

    Nuff said.
    Last edited by JFLL; 30-06-12 at 12:31.

  2. #342
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    Quote Originally Posted by JFLL View Post
    Just to add that there was a classic example of the Fill the Gap with Unannounced Masterpieces syndrome today on EC. The 11.00 slot (published) was Copland's Billy the Kid, something I didn't want to hear, but I thought, wait a minute, that only lasts 20 minutes or so, so that leaves 35-40 minutes unaccounted for in the schedule. And what did we have? First, Bruckner's Christus factus est, well worth hearing, and then Mendelssohn's Octet, one of the masterpieces of the chamber repertoire, in an excellent performance by artists including Christian Tetzlaff, Lisa Batiashvili, Isabelle Faust and Antoine Tamestit, a live recording from the 2008 Spannungen Festival in Heimbach. And the pre-published 'star turn' was Billy the Kid!
    It happens a lot before 11 when the chat with the 'celebrity' goes short, as it increasingly seems to do. The genial Andrew Graham-Dixon last week didn't seem to know much music and was over and done with by not long after 10 45 on the days I listened. The 'design guru' Somebody Bayley this week seems to rejoice in being a self-proclaimed musical ignoramus. What do we gain by having these people on?
    "The isle is full of noises... Sounds, and sweet airs, that give delight and hurt not"
    The Tempest, Act III scene 2 ll 148-9

  3. #343

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    Quote Originally Posted by Caliban View Post
    What do we gain by having these people on?
    'Delboy at the opera'

  4. #344
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    By contrast, Simon McBurney on Desert Island Discs this morning was a treasure trove of stimulating musical choices: Aretha Franklin, Gil-Scot Heron, Frank Zappa, Gyorgy Ligeti, a singer from Mali whose name escaped me, a 12-year old Mongolian throat singer...

  5. #345

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    Quote Originally Posted by Serial_Apologist View Post
    By contrast, Simon McBurney on Desert Island Discs this morning was a treasure trove of stimulating musical choices: Aretha Franklin, Gil-Scot Heron, Frank Zappa, Gyorgy Ligeti, a singer from Mali whose name escaped me, a 12-year old Mongolian throat singer...
    Yes!
    The girl (Vanessa Oucholin) was atonishing - "traditional" Music about lighting a fire that sounded like one of the better Berio Sequenzas.

    Other details:
    http://www.bbc.co.uk/programmes/b01kr7q1

  6. #346
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    Quote Originally Posted by Caliban View Post
    The 'design guru' Somebody Bayley this week seems to rejoice in being a self-proclaimed musical ignoramus. What do we gain by having these people on?
    An entire career and reputation smacked heartily to the boundary, one bounce & over the ropes by Cali

    Weep into your muesli Bayley, you no-mark

  7. #347
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    Quote Originally Posted by amateur51 View Post
    An entire career and reputation smacked heartily to the boundary, one bounce & over the ropes by Cali






    To be fair, I think self-deprecation is one of his little 'trade-marks' ... I still query the usefulness or appropriateness of peopling a station like Radio 3 with people like him.
    "The isle is full of noises... Sounds, and sweet airs, that give delight and hurt not"
    The Tempest, Act III scene 2 ll 148-9

  8. #348
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    I am afraid I find Sarah Walker's voice like curdled cream . I have had the misfortune of hearing quite a bit of the programme this week - the car CD player being kaput and she talks even more drivel than Cowan . Moreover, it is clear that neither of them have any idea how to interview someone .

  9. #349
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    Quote Originally Posted by amateur51 View Post
    An entire career and reputation smacked heartily to the boundary, one bounce & over the ropes by Cali

    Weep into your muesli Bayley, you no-mark
    You'd think we were taliking about Trevor 'Boilers' Bailey mind you, his stone-walling rarely troubled the ropes!

  10. #350
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    Quote Originally Posted by amateur51 View Post
    An entire career and reputation smacked heartily to the boundary, one bounce & over the ropes by Cali
    Is Caliban South African?

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