Although I seem to have several recordings, I never feel the need to look beyond the Britten/Decca. I recall hearing it at school with narrator. Who was it? The LSO I guess.
Although I seem to have several recordings, I never feel the need to look beyond the Britten/Decca. I recall hearing it at school with narrator. Who was it? The LSO I guess.
I'm surprised to find that I have just 2 versions, both LPs: the Britten Decca SXL one and my late father's van Beinum Decca ACL from which I got to know the work as a child. Probably liked the Peter and the Wolf coupling more until I properly discovered classical music in my teens.
Could have sworn I had the Rattle one somewhere, and am staggered I haven't picked up more random versions, via couplings at least...
Ditto... I remember the album so clearly: under the light blue title banner, a grainy black and white photo on the cover of two little lads wearing ties, listening attentively... I wonder if it ever appeared on CD? I'd be interested to hear it again. I think the Prokofiev coupling was LSO/Malko - like you, LMP, I was more into Peter and the Wolf when I was young, only discovering the Britten in my teens...
Now, like verismissimo, I most often go back to the Britten recording... very exciting, partly because there is one point in the final peroration when it all teeters on the edge of falling apart: real tension, even though I know they're going to get back together...!
"The isle is full of noises... Sounds, and sweet airs, that give delight and hurt not"
The Tempest, Act III scene 2 ll 148-9
I've got the Richard Baker/Ray Leppard thing on CFP, and Yan Pascal Tortelier on a BBC Music Magazine, but I do prefer the piece without narration: Simon Rattle has it tacked onto the end of his talk on the 'Orchestra' CD Rom, so that will do.
I have the BBC MM version to, plus Rattles and the Sir Andrew Davis with the BBCSO. The latter is the one I prefer!
Music washes away from the soul the dust of everyday life(Berthold Auerbach)
I can'tfind a single recording of it but think I have a Cassette somewhere. I 'grew up' with dozens oflive performances from Sargent and LSO or later the BBCSO. He certainly played it a lot, and I too like the way the fugue morphes into the theme to end the work. I also like the loud whip noise, which should cut through the orchestra. I have heard it [or rather not heard it] when it sounded almost inaudible. We always called it just the YPG.
I've never heard or seen the film as we didn't have TV at our school.
Can't find a currently-available CD, but it can be downloaded on MP3: the whole piece for 89p !! That's Christmas value for you!!:
http://www.amazon.co.uk/Britten-B-Or...sr=1-1-catcorr
"The isle is full of noises... Sounds, and sweet airs, that give delight and hurt not"
The Tempest, Act III scene 2 ll 148-9
I fear Amazon may be monitoring this forum... less than 20 minutes after Caliban's post and the YPG is only available if you download the whole album! Still, £5.99 ain't bad.
I do hope the excellent Kansas account gets a mention - it's quite superbly engineered by Prof Jonhson.![]()
Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....
your description has reminded me it was in my parent's record collection too
http://www.ebay.com/itm/BRITTON-YOUN...78126664342110
Last edited by mercia; 24-12-11 at 10:24.
I was intrigued that the e-mail newsletter from CD Review this morning told us the recommended recording in the BAL section. I don't think they normally do that. I wonder if they meant to...