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Thread: BaL 14.01.12 Elgar's Violin Concerto

  1. #21
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    Nige, either version, or Ehnes for me.

  2. #22
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    Quote Originally Posted by Eine Alpensinfonie View Post
    Menuhin's second studio recording, with the New Phil and Boult is hardly given a mention these days, but it is the version I grew up on and I still hold it high in my affections.
    Me too . It was the first version i had on an HMV Concert Classics tape with Menuhin and Boult copying the picture of Menuhin and Elgar on the abbey Road steps . I still have a very soft spot for it .

    Of all the versions I own the Ehnes is the one I like the least . Episodic with insensitive conducting.

  3. #23
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    Either of the Kennedy recordings for me. Latterly I've also grown fond of the Perlman/Barenboim.

  4. #24
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    Quote Originally Posted by Parry1912 View Post
    Either of the Kennedy recordings for me. Latterly I've also grown fond of the Perlman/Barenboim.
    It took me a long, long time to get into the Elgar VC and it was the Perlman/Chicago SO/Barenboim that did the business. As usual Perlman is closely recorded but I don't mind that and this would still be my first choice.
    “Every piece of music is a rehearsal of one’s life,” - Sir Colin Davis

  5. #25
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    Quote Originally Posted by Brassbandmaestro View Post
    What's that recording in the EMI Elgar Edition?
    Do you mean the edition of the composer's own electrical recordings, or the 30 CD box of EMI's major Elgar recordings?

    If you mean the former, it's Menuhin/LSO/Elgar, but if you mean the latter, it's Bean/RLPO/Groves - both worth considering.

  6. #26
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    I love lots of these recordings - Menuhin both with Elgar and Boult in the studio, Perlman/Barenboim , Kennedy/Handley, Bean/Groves probably being my favourites.

  7. #27
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    Quote Originally Posted by Petrushka View Post
    It took me a long, long time to get into the Elgar VC...
    Me too, Petrushka.

    I currently appear to have:

    Marie Hall's abridged version with Elgar from 1916
    Albert Sammons with Sir H Wood from 1929
    Menuhin with Elgar from 1932
    Menuhin with Boult from 1966
    Zukerman with Barenboim from 1976
    Kennedy with Handley from 1984

    I shall review them all before next Saturday!

  8. #28
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    Quote Originally Posted by Eine Alpensinfonie View Post
    Do you mean the edition of the composer's own electrical recordings, or the 30 CD box of EMI's major Elgar recordings?

    If you mean the former, it's Menuhin/LSO/Elgar, but if you mean the latter, it's Bean/RLPO/Groves - both worth considering.
    Ah, thank you, EA. It the latter with Hugh Bean etc. I have both the Kennedy recordings as well.
    Music washes away from the soul the dust of everyday life(Berthold Auerbach)

  9. #29
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    If I could have only one recording, it would be the Albert Sammons/New Queen's Hall Orchestra/Sir Henry Wood performance - it was the first performance that I really got to know and I recall the frisson that went through the record-collecting world when EMI released it after A C Griffiths (I think) had worked his magic on it for the EMI retrospect series on LP

  10. #30
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    Quote Originally Posted by Petrushka View Post
    It took me a long, long time to get into the Elgar VC and it was the Perlman/Chicago SO/Barenboim that did the business. As usual Perlman is closely recorded but I don't mind that and this would still be my first choice.
    It was the Heifetz that convinced me and it took me a while too, amazing intensity and he gets totally inside the work. I enjoyed a televised prom by Perlman and I bought his LP on the strength of that but was disappointed - personal taste, I never liked Zuckerman's versions either although my brother loves them.

    Pastoralguy
    Yes I like the earlier Kennedy too but was disappointed by the later Rattle version. I've heard him play it fantastically well live (and Martin Milner too with the Hallé years ago). I also like Igor Oistrakh's performance, David Oistrakh reputedly played the Elgar and Walton as part of a series of concerts on the Violin Concerto, if recordings they had survived!

    I've lots of recordings but nothing recent - very keen to hear Ehnes and Little and others. So far, Heifetz and Sammons are top of my pile despite the recording quality.

    Mike

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