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Thread: BaL 18.02.12 Bach's Goldberg Variations

  1. #11
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    Wot no Konstantin Lifschitz or Alexis Weissenberg, both on piano & both available via Amazon?

    Lifschitz is a remarkable Bach pianist imho, having spent a couple of New year's Eves at Wigmore Hall as he played the 48. There's an excellent DVD of his performances of the 48

  2. #12
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    I love Schiff and Perahia (heard the latter live from close up - magical). And I love the Anzelotti accordeon version!!
    "The isle is full of noises... Sounds, and sweet airs, that give delight and hurt not"
    The Tempest, Act III scene 2 ll 148-9

  3. #13
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    Quote Originally Posted by Caliban View Post
    And I love the Anzelotti accordeon version!!
    ... [thinks] "Should I put Caliban on 'ignore'?"
    .


    .



  4. #14
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    recently I have been enjoying the Goldbergs in various guises -

    Béatrice Martin, harpsichord
    Andreas Staier, harpsichord
    Gwendolyn Toth, lautenwerk
    Danish Saxophone Quartet
    Octuor de France

    If it's a desert island choice, for me it has to be the harpsichord. But occasionally I allow my ears to be tickled by the sound of the piano. But - for me - not Angela Hewitt (in this or any Bach) - I find her too sterile.

  5. #15
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    Quote Originally Posted by vinteuil View Post
    ... [thinks] "Should I put Caliban on 'ignore'?"
    .


    .




    Have you heard it?

    It sounds like an organist of genius performing it in a little church in a village in Thuringia. It's delightful, I promise you!
    "The isle is full of noises... Sounds, and sweet airs, that give delight and hurt not"
    The Tempest, Act III scene 2 ll 148-9

  6. #16
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    Quote Originally Posted by vinteuil View Post
    Danish Saxophone Quartet
    So we each have our little flirtations with anachronistic esoterica, vinrouge!

    (I agree with you about Angela Hewitt, too)
    "The isle is full of noises... Sounds, and sweet airs, that give delight and hurt not"
    The Tempest, Act III scene 2 ll 148-9

  7. #17
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    Quote Originally Posted by Caliban View Post
    So we each have our little flirtations with anachronistic esoterica, vinrouge!

    ... indeed yes .

    The Octuor de France is fun too - it's a Schubert-style set up: two violins, viola, cello, double bass, clarinet, bassoon, horn.

    I also have a Sitkovetsky transcription, with Dmitry Sitkovetsky as first violin in the New European Strings Chamber orchestra - but I find the 'orchestral' take (with fifteen performers) less satisfactory.

  8. #18
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    Quote Originally Posted by Eine Alpensinfonie View Post
    9.30 Building a Library: Nicholas Kenyon with a personal recommendation from recordings of Bach's Goldberg Variations

    Available versions:


    version for 2 pianos by Rheinberger/Reger
    Yaara Tal & Andreas Groethuysen (piano duo)
    ... now that does sound interesting - I think I shall have to get a copy... Thanks, o Alpensinfonie, for leading us into temptation!

  9. #19
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    Isn't the Canadian Brass version available?

    I have Schiff to. I would like to hear Fretwork's, as well!
    Music washes away from the soul the dust of everyday life(Berthold Auerbach)

  10. #20
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    Quote Originally Posted by subcontrabass View Post
    Is it possible to have separate lists for versions played on harpsichord and versions played on piano? This would enable those with strong views on the matter to ignore versions played on the "wrong" instrument.
    What? Room service as well?

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