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Thread: CE Christ Church Cathedral, Oxford 7th March 2012

  1. #21

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    Well said Ardcarp. Although the Magdalen psalms are jolly good now. But those organs! I've never heard the New College one sound pleasant in any repertoire, and only enjoyed the Magdalen one in baroque stuff. Ch Ch does baroque, and German and French romantic, pretty well, apart from some reeds that sound like dying ducks (though in Stevie Farr and David Goode we were blessed with two assistant organists who managed to make the instrument sound wonderful in voluntaries when I was there in the 90s). But singing against it was a horrible experience, particularly having come to Oxford from Durham. Yuk. Happily, Keble have just got a new instrument that looks like it was actually designed to do the job its required to do most of the time, and the one that's coming to Merton in a couple of years looks rather exciting.

  2. #22

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    Peter Phillips pushing for it, no doubt.

  3. #23

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    Quote Originally Posted by DracoM View Post
    Peter Phillips pushing for it, no doubt.
    Peter isn't the organist on the Merton music staff...

  4. #24

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    Quote Originally Posted by DracoM View Post
    Peter Phillips pushing for it, no doubt.
    Ben Nicholas i/c all things organ at Merton

  5. #25

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    And most things choir, too. He's been appointed full time D of M from next year. Peter directs 4 of the 16 services a term.

  6. #26

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    Quote Originally Posted by Chris Watson View Post
    And most things choir, too. He's been appointed full time D of M from next year. Peter directs 4 of the 16 services a term.
    Choir certainly sounding on top form

  7. #27

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    Quote Originally Posted by Simon Biazeck View Post
    A very prayerful atmosphere and beautifully sung - lovely choral balance, but not over-homogenised with lots of nice detail from all voices, and the latest Pott Preces & Responses (pub. Shorter House) are very nice indeed. That acoustic is so revealing and they are clearly masters of it!
    I did not hear it all last week, so made a point of listening today. I agree with Simon: a wonderfully controlled service with a choir and director who know the acoustic well. I used to go there often during Grier's time and was not surprised that his piece suited the choir and the organ so well. But why so much carping about the wonderful organ?

  8. #28

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    No carping. Just a well reasoned comment from Ardcarp to suggest that it wasn't well designed for its primary purpose (which I don't think that it was) and one from me to say that four years of singing against its shrill mixtures and thin reeds was not entirely pleasant (which it wasn't!).

  9. #29

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    I remember being in a pub once and hearing a previous DoM at CCCO regaling the company with his thoughts on the organ. Only I don't think he used the word 'organ' exactly.

  10. #30

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    Quote Originally Posted by DracoM View Post
    I remember being in a pub once and hearing a previous DoM at CCCO regaling the company with his thoughts on the organ. Only I don't think he used the word 'organ' exactly.
    It's not great for accompanying but is a superb instrument nevertheless.

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