Page 5 of 5 FirstFirst ... 345
Results 41 to 48 of 48

Thread: Bournemouth SO/Karabits/Hough from the Colston Hall, Bristol

  1. #41

    Default

    Quote Originally Posted by Pianorak View Post
    Have just found my VHS tape of Hough and Osmo Vänskä with BBCSO playing the work at the 2005 Proms. Seems to have much more attack and decisiveness about it. Glad I kept the tape. However, Krystian Zimerman's performance is still favourite.
    Have got hold of the Zimerman cd. It is certainly up there!. Ozawa and the BSO are also on top form. What a shame that Stephen Hough and Litton is let down by average sound quality.

    SMG

  2. #42
    Hornspieler Guest

    Default

    Quote Originally Posted by Sir Monty Golfear View Post
    Have got hold of the Zimerman cd. It is certainly up there!. Ozawa and the BSO are also on top form. What a shame that Stephen Hough and Litton is let down by average sound quality.

    SMG
    Relevent? Well, perhaps

    Difficult to understand what this has to do with a concert by the other (British) BSO in the Colston Hall, Bristol.

    HS

  3. #43

    Default

    Quote Originally Posted by Hornspieler View Post
    Relevent? Well, perhaps

    Difficult to understand what this has to do with a concert by the other (British) BSO in the Colston Hall, Bristol.

    HS
    I waS just replying to a poster regarding his favourite recorded performance of the Rachmaninov Piano Concerto. Thatbis his benchmark, he was comparing it against Mr Houghs perceived live performance. I think the relevance is that when you referred to Peter Katin , although live against recorded , you may have inadvertently started the comparison. Although live versus recorded in studio is totally different, it surely has some relevance in the context of healthy and interesting conversation about the music.

    Cheers,

    SMG

  4. #44
    Hornspieler Guest

    Default

    Quote Originally Posted by Sir Monty Golfear View Post
    I waS just replying to a poster regarding his favourite recorded performance of the Rachmaninov Piano Concerto. Thatbis his benchmark, he was comparing it against Mr Houghs perceived live performance. I think the relevance is that when you referred to Peter Katin , although live against recorded , you may have inadvertently started the comparison. Although live versus recorded in studio is totally different, it surely has some relevance in the context of healthy and interesting conversation about the music.

    Cheers,

    SMG
    Thanks for the clarification, Monty.

    You have not yet posted on any other threads. I was looking forward to something from you on the Platform3 "Photography" thread as you are an enthusiastic member of the Lumix Camera Forum.

    Best wishes

    HS

  5. #45

    Default

    Quote Originally Posted by Hornspieler View Post
    Thanks for the clarification, Monty.

    You have not yet posted on any other threads. I was looking forward to something from you on the Platform3 "Photography" thread as you are an enthusiastic member of the Lumix Camera Forum.

    Best wishes

    HS
    Yes indeed I am on the Lumix forum! And also take part on the amateur photography forum too ! , photography is also one of my passions. I will have a look at the photography thread.

    I have been away with work so have missed a few concerts on radio 3 so need to catch up .

    Cheers,

    SMG

  6. #46

    Default

    Quote Originally Posted by Pianorak View Post
    Have just found my VHS tape of Hough and Osmo Vänskä with BBCSO playing the work at the 2005 Proms. Seems to have much more attack and decisiveness about it. Glad I kept the tape. However, Krystian Zimerman's performance is still favourite.
    I've come rather late to this discussion. The orchestra at that Prom would have been the BBC SSO, I believe, not the BBC SO.

    Rachmaninov's 1st is my favourite among his concertos too. I think the composer's own recording is still the one that most sets my pulse racing, though as I remember Richter's is pretty good. Many years ago, when I were a lad, the concerto was included in one of the sequences of records that the BBC regularly played to the TV test card - I think in the mornings. Having heard it once, I used to switch on our TV almost every Saturday morning in the hope of hearing it, though I had no idea what it was, and every now and then I was rewarded and never tired of it. It wasn't until many years later that I found out what it was. I never knew which recording they used (and in truth, there wouldn't have been many available in the 50s) but the sound I remember was very like Rachmaninov's own recording, though it could conceivably have been Richter's.

    I'm slightly surprised anyone thinks it would be appropriate for Mr Katin to comment on a public forum on a recent performance by a professional colleague. I'm sure he's too much of a gentleman to do such a thing.

  7. #47

    Default

    Quote Originally Posted by RobertLeDiable View Post
    I've come rather late to this discussion. The orchestra at that Prom would have been the BBC SSO, I believe, not the BBC SO.

    Rachmaninov's 1st is my favourite among his concertos too. I think the composer's own recording is still the one that most sets my pulse racing, though as I remember Richter's is pretty good. Many years ago, when I were a lad, the concerto was included in one of the sequences of records that the BBC regularly played to the TV test card - I think in the mornings. Having heard it once, I used to switch on our TV almost every Saturday morning in the hope of hearing it, though I had no idea what it was, and every now and then I was rewarded and never tired of it. It wasn't until many years later that I found out what it was. I never knew which recording they used (and in truth, there wouldn't have been many available in the 50s) but the sound I remember was very like Rachmaninov's own recording, though it could conceivably have been Richter's.

    I'm slightly surprised anyone thinks it would be appropriate for Mr Katin to comment on a public forum on a recent performance by a professional colleague. I'm sure he's too much of a gentleman to do such a thing.
    Very interesting that Richter recorded the concerto. Yours is the first reference to it. I agree totally with you about asking one professional to comment on another's performance. It wouldn't be the done thing, unless you were living in the days of Horowitz and company !.
    The Naxos recordings of the composer playing his concertos , I find riveting.

    Cheers

    SMG

  8. #48
    Join Date
    Nov 2010
    Location
    Central London
    Posts
    12,924

    Default

    Quote Originally Posted by Sir Monty Golfear View Post
    The Naxos recordings of the composer playing his concertos , I find riveting.
    "The isle is full of noises... Sounds, and sweet airs, that give delight and hurt not"
    The Tempest, Act III scene 2 ll 148-9

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •