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Thread: Runnicles and the BBC SSO in Brahms and Schumann Tomorrow 22nd at 7.30bm

  1. #1
    Hornspieler Guest

    Default Runnicles and the BBC SSO in Brahms and Schumann Tomorrow 22nd at 7.30bm

    Don't miss this one. You've got a week of Schubert coming up!

    HS

    Apologies for the typo in the title. FF please correct same.

  2. #2
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    Details of the programme are:

    Detlev Glanert: Brahms-Fantasie (world premiere)
    Brahms: Alto Rhapsody
    Schumann: Symphony No. 4 (original version)

    8.30pm Interval
    Jamie MacDougall speaks to tonight's soloist, Sarah Connolly, and we hear a selection of her recent recordings of songs by Schumann, Brahms and Kurt Weill.

    Brahms: Symphony No. 1

    Sarah Connolly (mezzo-soprano)
    Men of the Edinburgh Festival Chorus
    BBC Scottish Symphony Orchestra
    Donald Runnicles (conductor).

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    an idle thought - are contemporary works programmed first so that one can, so to speak, recover from (forget ?) them, by the end of the concert ?

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    Quote Originally Posted by amateur51 View Post
    Details of the programme are:

    Detlev Glanert: Brahms-Fantasie (world premiere)
    Brahms: Alto Rhapsody
    Schumann: Symphony No. 4 (original version)

    8.30pm Interval
    Jamie MacDougall speaks to tonight's soloist, Sarah Connolly, and we hear a selection of her recent recordings of songs by Schumann, Brahms and Kurt Weill.

    Brahms: Symphony No. 1

    Sarah Connolly (mezzo-soprano)
    Men of the Edinburgh Festival Chorus
    BBC Scottish Symphony Orchestra
    Donald Runnicles (conductor).
    Notice it's the original Schumann 4 - Had I never heard the revised version I would probably like it, but I now find it an inadequate substitute for the real thing.

  5. #5
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    Quote Originally Posted by mercia View Post
    an idle thought - are contemporary works programmed first so that one can, so to speak, recover from (forget ?) them, by the end of the concert ?
    Or is it to ensure that people are not deterred from returning for the second half?

    The number of times Solti programmed John McCabe's 'Chagall Windows' in the first part of his concerts, yet I've not heard it since. Do others programme it?

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    Quote Originally Posted by amateur51 View Post
    Or is it to ensure that people are not deterred from returning for the second half?

    The number of times Solti programmed John McCabe's 'Chagall Windows' in the first part of his concerts, yet I've not heard it since. Do others programme it?

    Morning ams. Don'tknow the McCabe piece but there is a lovely Chagall window in Chichester Cathedral, I think, and if the music is as beautiful as that, wow.

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    so, is there a big difference between these Schumann versions ? - he asked ignorantly

  8. #8

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    Quote Originally Posted by mercia View Post
    an idle thought - are contemporary works programmed first so that one can, so to speak, recover from (forget ?) them, by the end of the concert ?
    Or even to allow certain audience members to arrive late and avoid them altogether!

    The McCabe Chagall Windows is a glorious piece - I didn't know Solti had ever performed it! If only there's a recording somewhere - it would make a great bedfellow to the excellent Loughran/EMI.

  9. #9
    John Skelton Guest

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    Yes, there is. The transition to the finale being the most striking. (I can't find a YouTube 1841 version to illustrate the two side by side, annoyingly). (In reply to mercia's "so, is there a big difference between these Schumann versions ?")

  10. #10
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    Quote Originally Posted by mercia View Post
    so, is there a big difference between these Schumann versions ? - he asked ignorantly
    It would be good to hear the first versions of the four symphonies, together with the revisions, and possibly Mahler's arrangements, in close proximity, say over 2-3 weeks. Fat chance of R3 doing something like this these days.

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