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Thread: Der Freischutz - Barbican; LSO, c. Davis

  1. #1
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    Default Der Freischutz - Barbican; LSO, c. Davis

    This surely will be recorded for issue but also broadcast by R3?????

  2. #2
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    I am greatly looking forward to this. It is far too long since Der Freischutz appeared at Covent Garden.

  3. #3
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    This was a corker last night....

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    Absolutely excellent. Sally Matthews as Aennchen and Lars Woldt as Kaspar were especially good. It's such a wonderful score!

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    Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....

  6. #6
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    Oh dear, IGI - doesn't sound too good, especially the use of a narrator which must have been a real distraction. A shame, as it's such a wonderful opera - I saw the ROH production in ?early 1980s with Colin Davis conducting and it was excellent. It is difficult to stage though and perhaps a concert performance can be as effective as any. I would love to see WNO do it, with Koenigs conducting.

  7. #7
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    An interesting review - but for all that, it was a hugely enjoyable evening. The narration was well done as these things go. I would encourage anyone to go to this evening’s performance.

  8. #8
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    Quote Originally Posted by aeolium View Post
    Oh dear, IGI - doesn't sound too good, especially the use of a narrator which must have been a real distraction. A shame, as it's such a wonderful opera - I saw the ROH production in ?early 1980s with Colin Davis conducting and it was excellent. It is difficult to stage though and perhaps a concert performance can be as effective as any. I would love to see WNO do it, with Koenigs conducting.
    WNO did it sometime between 1989 and 1991. But a revisit would be welcome! Or Oberon. Or Euryanthe.

  9. #9
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    WNO did it sometime between 1989 and 1991. But a revisit would be welcome! Or Oberon. Or Euryanthe.
    Yes indeed to any of them! But all of them difficult to stage, especially perhaps Euryanthe. Poor Weber - he was dreadfully let down by his librettists, wasn't he? A pity perhaps that he and E T A Hoffman did not collaborate on an opera. Weber admired Hoffman's opera Undine and although that libretto was not Hoffman's, he did write a libretto for his own Singspiel Die Maske.

  10. #10
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    Glyndebourne staged Euryanthe in 2002, with the OAE. It was panned by the critics, but I greatly enjoyed it, and saw it twice.

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