Results 1 to 6 of 6

Thread: Chopin PCs: Blachacz/Semkow/Concertgebouw... Great!

  1. #1
    Join Date
    Nov 2010
    Location
    Central London
    Posts
    12,926

    Default Chopin PCs: Blachacz/Semkow/Concertgebouw... Great!

    Really enjoying this new discovery....

    http://www.amazon.co.uk/Chopin-Piano...3&sr=8-1-spell

    made thanks to Classic FM

    On a late journey home from work, I didn't feel like arty chatter or Sudanese ear flutes, so switched from R3 to CFM. I happened on the start of the slow movement to Chopin's Second Piano Concerto...

    For the first time, I was hooked. I've never really got the F minor concerto - the E minor First Concerto I've loved for ages and ages, but the Second has always seemed a bit too 'drooping violets' for me.

    But this recording, with mesmerising playing from Blachacz and gorgeous support from the Concertgebouw strings - whispering and caressing - and winds, deftly and wisely conducted by Semkow (a new name to me, but obviously an old pro). Magic

    I like this photograph of soloist and conductor, reminds me of those pics of Elgar and Menuhin. Young talent combining with experience to produce something special....



    Anyone else know anything of Semkow's track record?
    "The isle is full of noises... Sounds, and sweet airs, that give delight and hurt not"
    The Tempest, Act III scene 2 ll 148-9

  2. #2
    Join Date
    Mar 2007
    Location
    Winchester
    Posts
    739

    Default

    Quote Originally Posted by Caliban View Post
    Anyone else know anything of Semkow's track record? [/COLOR]
    I had no idea Semkow was still going! He recorded Borodin's Prince Igor with Boris Christoff back in the 1960s and there's a Boris Godunov with Martti Talvela on EMI. He did some Szymanowski too, IIRC.
    Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....

  3. #3
    Join Date
    Nov 2010
    Location
    Salisbury in Wiltshire, Wessex.
    Posts
    2,185

    Default

    I did not know he was still going either, but a quick google reveals that apparently he works regularly with the St Louis and Pittsburg orchestras, as well as the main Polish bands. His Prince Igor and Boris and Janáček's Jenufa recordings were famous. Karol Szymanowski's pieces Jerzy Semkow recorded Symphonies no. 3 and 4. Polskie Nagrania recorded great interpretations of conducted by the artist symphonies of Schumann, Mozart, Brahms, Tchaikovsky, Skriabin. He recorded Mozart's symphonies in Poland winning Golden Record, and Beethoven's choral works with St. Louis Symphony Orchestra recorded by VOX company. He was in charge of the Royal Danish Opera for same years.

    I remember him in the seventies conducting Salome and Die Meistersinger at Covent Garden. Very good too.

  4. #4
    Join Date
    Nov 2010
    Posts
    2,435

    Default

    Did he not also conduct for Tamas Vasary's recordings of the Chopin Concertos - or at least one of them ?

  5. #5
    Join Date
    Nov 2010
    Location
    Central London
    Posts
    12,926

    Default

    Quote Originally Posted by Barbirollians View Post
    Did he not also conduct for Tamas Vasary's recordings of the Chopin Concertos - or at least one of them ?
    Good heavens! Absolutely right - the first concerto. This was covered in this thread: http://www.for3.org/forums/showthrea...onic-Orchestra I had completely forgotten - and you'll see from my contributions there why that is particularly remiss!!

    I've now listened more to the new disc. I am somewhat less enthusiastic about the performance of the first concerto in the new performance with Blachacz. It's pulled around too much I think. The partnership seems to me to work much better in the second concerto (or maybe it's because I know it less well).

    It's interesting how that happens quite a lot where a composer has written two piano concertos... With Brahms, Shostakovich, Ravel (for example... though I can't think of any others) I have found that performers who nail one quite often don't get to the heart of the other. For instance Gilels/Jochum are awesome in Brahms PC#1 but I think miss the essence of #2... ... .Further through required...
    "The isle is full of noises... Sounds, and sweet airs, that give delight and hurt not"
    The Tempest, Act III scene 2 ll 148-9

  6. #6
    Join Date
    Nov 2010
    Location
    UK
    Posts
    856

    Default

    I listened to this disc yesterday for the first time and enjoyed Blechacz's playing enormously in both concertos. However, the orchestra in the E minor sounds too large in numbers to me.

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •