Looks like the superb Hervé Niquet conducting Le Concert Spirituel, Bbm; a recording I didn't previously know about. I have difficulty reading the label: GLOSSA?
(I'm very fond of Jordi Savall's recording.)
Looks like the superb Hervé Niquet conducting Le Concert Spirituel, Bbm; a recording I didn't previously know about. I have difficulty reading the label: GLOSSA?
(I'm very fond of Jordi Savall's recording.)
"The isle is full of noises... Sounds, and sweet airs, that give delight and hurt not"
The Tempest, Act III scene 2 ll 148-9
Or, using Hafod's Spanish discovery
http://www.amazon.es/s/ref=nb_sb_nos...niquet&x=0&y=0
which, even with postage, is cheaper. I have the same recording in a pre-SACD 2-channel issue, also from Glossa, as well as the above version.
Another vote for Robert King 's Handel/Telemann recording now at bargian price on Helios.
http://www.hyperion-records.co.uk/dc...CDH55375&vw=dc
Jordi Savall's is good. It's a pity his concert peformances can, as for exampe the one broadcast from 2009 Edinburgh Festival, seem as if he's pressed the fast forward button, taking everything at breakneck speed.
I've only heard bits of the 2-channel version of the Hervé Niquet recording. Don't forget his 2012 Prom:
http://www.bbc.co.uk/proms/whats-on/2012/july-18/14226
With 80 musicians, it should be a blast.
"The isle is full of noises... Sounds, and sweet airs, that give delight and hurt not"
The Tempest, Act III scene 2 ll 148-9
Kubelik with the Berlin Philharmonic has for me always captured the spirit of this music the best and in a way which completely eludes most of the HIPP recordings I have heard - honourable exceptions being those of Robert King and Trevor Pinnock mentioned in other posts which I have enjoyed. I also like the Scottish Chamber Orchestra under Sir Alexander Gibson.
Just to give a taste of the Niquet:
http://www.youtube.com/watch?v=ABaYmjWQWSA
I must admit I paid around £12 for the SACD at the time of its UK release. I already had the CD version, but could not resist the 'upgrade'.
The 'ripe' intonation is no accident, by the way. It is based on hard core research. Lots of pertinent info in the booklets which accompanies the CD and SACD versions.