Whenever people agree with me I always feel I must be wrong.
Oscar Wilde
My views are my views, which I felt moved to express on hearing Ian Skelly's (to my taste) refreshing presentation style. Whether they coincide with the views of the majority of Radio 3 listeners or those of a minority, whether influential or not, I cannot say. I certainly have no influence and I'm not about foisting anything on anyone. I thought I had expressed my views pretty moderately, so don't quite understand why you have felt the need to go on the offensive.
Yes I respect your views under thecountertenor, which are based on sound musical judgements.
But my tastes are not coincident with yours, and I often feel bored/ uncomfortable after listening a while to those presenters you mention.
That is why I asked a genuine question - do your views represent those of the majority? If so , I guess we can look forward to hearing much more of Ian Skelly, and I will probably depart in the general direction of Radio 6. If not, I'll probably hang around.
Your views coincide with mine, undersI find that he manages to deal with the email clutter deftly, giving contact details in a way which suggests they don't matter more than the music, unlike certain others, and presents the pieces without any gush or special pleading, just communicating quiet enthusiasm without excess adjectives or 'smiley voice' affectation. Good stuff.
"The isle is full of noises... Sounds, and sweet airs, that give delight and hurt not"
The Tempest, Act III scene 2 ll 148-9
It's just a monthly guest spot at which I bring along a few CD tracks linked by a theme. It's a VERY local station, with the number of people in the studio possibly only just outnumbered by the number of listeners when it broadcasts its Classical Music Show. Every other year, I'm invited to plan and introduce a similar, but longer, sort of programme at a local church hall for the local Recorded Music Society, which (being a bit of an unashamed showman) I find more rewarding.
"'Smiley voice' affectation" is a brilliant description of that dreadful modern radio phenomenon. I don't know how they do it. I can't imitate it, even if I try, any more than I can finish sentences that aren't questions on a rising inflexion?
What the BBC's focus on the role of the presenter has done is to move attention away from the musical content of the programmes, so that there are more threads here about presenters rather than what is being presented. For me a 'good' presenter will be an unobtrusive one who swiftly and concisely (and accurately) conveys the relevant information about the performance. I don't really want to notice the presenter at all, just the music. Which is why programmes like Breakfast and Essential Classics, which are really constructed around the presenter and guests, with the music as a kind of afterthought (and so much of that is endlessly recycled music) are of so little interest to me. I would like to get back to a period - there must have been one - when no-one gave a damn who the presenter was.