Is this the place for a thread on the administration of churches great and small, or should i try The Choir? Its not realy R3-specific.
Is this the place for a thread on the administration of churches great and small, or should i try The Choir? Its not realy R3-specific.
I dunno. Try it here. If they can batter the Lib Dems and Nick Clegg here, why not the church?
[I realise I shouldn't have said that as it will result in a deviation from the topic of the OP - which is about church administration.
Could you be more specific, OK, in order to focus the discussion?]
Ok then: I mostly operate around the London area (which may have a bearing on this), and visit, or have dealings with, quite a few churches. I've noticed that more and more churches have attached some kind of Entertainments Manager to their employ whose remit seems to be to transform the church in question into a venue, rather than a house of God.
Rather than just a fete in the summer and maybe a 'Messiah' at christmas, the whole sacred space goes up for hire for any secular activity that knocks on the door.
This irks me somewhat, though my feelings are not yet fully formed on the matter.
I'm not sure how far this goes. When I stay in London, I often walk past St Pancras parish church and look avidly at the notices in the hope that there will be an interesting lunchtime concert. But for me a recital of Schubert is a very reflective experience which is completely in keeping with the building. Three funerals I've been to have had jazz, live or recorded, and I respect the wish of the family to reflect the personality and love of the departed.
But a musical fundraising event I attended recently (fundraising for some aspect of the church's activities, I assume) had large adverts in front of the altar for the business of the firm sponsoring the event. It made me think of: "Get these out of here! Do not make My Father’s house a house of trade!" But the sponsor was a devout church-goer and I'm not so I have no right to an opinion.
Indeed, whether sacred or profane. Though I wouldnt accept jazz (unless there were such a thing a sacred jazz (What a great idea!) But anyway..)
Is exactly what i was thinking. In your case, i would challenge the sponsor's devotion."Get these out of here! Do not make My Father’s house a house of trade!"
I think what is really irking me is what seems to be an increasing number of churches with a trendy-looking youngster (30s) attached who is working wonders in marketing the church as an arts venue for gigs/exhibitions, in some cases even persuading them to pile money into modernising the interior, or building an annexe (which they will ultimately have sole control over).
It is good, isn't it? Just as it was when Duke Ellington created his Sacred Concerts (in Westminster Abbey, I seem to remember), Coltrane's A Love Supreme (like Bruckner's Ninth, "dedicated" to God) or Louis Armstong's adaption of Spirituals, exorting his listeners to "get with the Big Boss".
In fact, why exclude "secular" Jazz if you allow non-sacred "classical" Musics?