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Thread: "Happy clappers" counterblast: J. Duchen on "how to be a nice audience"

  1. #21
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    Quote Originally Posted by Flosshilde View Post
    Is that what happens when you fall between two stools?


    "The isle is full of noises... Sounds, and sweet airs, that give delight and hurt not"
    The Tempest, Act III scene 2 ll 148-9

  2. #22
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    Are you stalking me, Caliban?

  3. #23
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    Quote Originally Posted by Flosshilde View Post
    Are you stalking me, Caliban?
    Just kept tripping over your jewels of wit this evening, Floss
    "The isle is full of noises... Sounds, and sweet airs, that give delight and hurt not"
    The Tempest, Act III scene 2 ll 148-9

  4. #24
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    Because it is not normal practice, movement clapping tends to be done by only a relatively small minority of audience members. It therefore tends to sound weak and uncommitted. So what is intended as a show of enthusiasm usually comes across as an embarrassing aberration - hesitant and half-hearted.

  5. #25
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    Some people just cannot stand silence. At the Olympics they play loud background music when nothing else is happening, just as they do in 20-20 cricket. At the Proms, when the music stops for a momentary pause, some people feel they have to fill it up with noise. Mendelssohn tried to overcome this by linking his movements. Conductors do the same by rushing into the next movement, which is a pity, as it removes that precious moment of silence.

  6. #26
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    Quote Originally Posted by bluestateprommer View Post
    Say hello to your neighbour when they sit down. Chat a bit. Talk about the weather if you must, or ask them where they're from or how they like the performance.
    Hello my name's John Skelton. I must talk about the weather but first ... yes! you are correct - I've brought my trumpet! I love to play along :-).

  7. #27
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    The worst inter-movement clapping I've heard this year, so far, was in the Smetana quartet arrangement. Perhaps they didn't realise that it STILL had four movements, or whatever.

    Most conductors get very annoyed at noisy late-comers searching for their seats. I remember Beecham, turned round to face the audience and waiting a very long time for them to settle themselves, red in the face with embarrassment by then. And Sargent once stopped a piece of music when a flashbulb exploded or made a lot of noise, then started the movement again.

    Both of them seemed to be able to control inter-movement clapping by keeping the baton aloft to signal 'more coming'.

  8. #28
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    Quote Originally Posted by Eine Alpensinfonie View Post
    Some people just cannot stand silence. At the Olympics they play loud background music when nothing else is happening, just as they do in 20-20 cricket.
    As they do at concerts of folk music as soon as the live players have stopped, and as they probably do also at concerts of other sorts of music I don't go to.

  9. #29
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    Quote Originally Posted by jean View Post
    As they do at concerts of folk music as soon as the live players have stopped, and as they probably do also at concerts of other sorts of music I don't go to.
    At jazz gigs, the worst thing is when, intentionally or not, the promoter puts on a top classic recording in the interval, or straight after the end, to show up the band.

  10. #30
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    Quote Originally Posted by Eine Alpensinfonie View Post
    Mendelssohn tried to overcome this by linking his movements.
    Did this signal the start of no applause between movements & during choral works (Haydn's 'Creation' was interrupted by applause & even calls for encores of various numbers at its first performance)? In the early 19th century it was common - when did it cease to be so?

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