Please choose one of each.
What decisions these would be:
For now I'll go for Ravel in G and the Elgar Second.
How about you ?
Mention of recordings to sway opinion gladly received.
Please choose one of each.
What decisions these would be:
For now I'll go for Ravel in G and the Elgar Second.
How about you ?
Mention of recordings to sway opinion gladly received.
Last edited by Alison; 12-12-10 at 19:36.
I'd also plump for the G Major concerto, and having just this afternoon listened to Mark Elder's recording of Elgar 1, I would have to choose that. What a symphony- the slow movement in particular. It never fails to move me very deeply.
Mind you, tomorrow I'll probably listen to Elgar 2 and choose that instead.....
If you think this has a happy ending, you haven't been paying attention..
Game of Thrones
I'd also choose the G major concerto, preferably in Pascal Rogé's recording with Charles Dutoit and the Montréal Symphony Orchestra.
The Elgar would have to be the First - there are so many great recordings to choose from, but I'd probably return to Barbirolli.![]()
Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....
I would choose the Elgar 1st. Definetly with Barbirolli. I would have Zimmerman and Boulez with the Ravel PC in G
Music washes away from the soul the dust of everyday life(Berthold Auerbach)
If the choice is between Ravel's G-major concerto and Elgar's 2nd, it wpuld be elgar.
But I have to concur with the other MBoarders who prefer Elgar's 1st in stead.
That's impossible! I love both Ravel Piano Concertos and both of the Elgar Symphonies.Please choose one of each
The choice for the Ravel concerto is much, much easier than the Elgar. Definitely the G Major concerto for me. Astonished to see that I only have one recording on my shelves: Argerich/LSO/Abbado but that will do me. As for the Elgar, the very first recording of one of the symphonies I bought was No 1 with the LPO and Sir Georg Solti back in April 1975. I've heard very many since but for that mythical desert island I'll have that.
Michelangeli in the Ravel surely? There's a run of trills towards the end of the first movement in which he manages to make the piano produce a true glissando, like a musical saw in the way it glides over the notes -magic ! This with it's coupling of Rachmaninov 4 would be in the top ten favourites in my entire collection.
Elgar's second for me rather than the first, but I probably wouldn't take either to the desert island, much as I enjoy them,
On balance it would be the Ravel G major... or would it???? even as I'm typing, I'm missing the Left hand one.....
Yes, that sums up the dilemma for me, Caliban.
I am extremely enthusiastic about the new Bavouzet readings on Chandos. I don't agree with the Guardian review that these
performances are too lightweight. Nor (for once) do I feel that the BBCSO is any hindrance to pleasure. Their lack of creamy
timbre makes for a most refreshing listen. Yan Pascal Tortelier is without peer in this repertoire surely ??
The opening of the Left Hand work is superbly characterised.
Elgar's First has a very special place in my heart so definitely that. As to conductor, either Boult or Solti - very different interpretations, I know, so please can I have both?! For Ravel I'd choose the G major concerto with Zimerman and Boulez. I'm not keen on the latter's Mahler but love his Ravel.