Single movement from a Beethoven quartet this morning, is nothing immune from the SJ virus?
Through the Night
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I think given the format that’s unavoidable.Otherwise Wagner Bruckner and Mahler would never make it into the series. Even playing a whole Beethoven symphony would take up too much of the programme.Originally posted by LMcD View Post
This week's CotW features extracts from single movements of Mahler symphonies.
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CoTW is classified as a music documentary programme. I don’t think extracts were ever verboten.Originally posted by LMcD View Post
This week's CotW features extracts from single movements of Mahler symphonies.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Superlative concert performance of Schumann’s Second Symphony in the early hours of this morning, from the Berlin RSO under Antonello Manacorda.
A brilliantly fleet-of-foot scherzo, and I’ve never heard such an effective accelerando through the two bars of repeated notes (on timps, basses etc.) which start the coda. It’s not marked in the score I looked at, but it came over as completely natural and brought the movement to an even faster, exhilarating close."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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It may seem churlish to complain about the broadcast of anything by Handel, but I'm wondering if 'lascia la spina' or its alternative version 'lascio ch'io pianga ' is turning into the 21st century equvalent of 'Handel's Largo' . It was on TTN this morning and on 'Sunday Morning' two days ago, and I'm sure they've broadcast it three or four times in the last few months. And am I the only person who feels it's getting played more and more slowly each time?
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Talking of little garden sheds, I watched 'Room' last night - I imagine Mahler's lakeside retreat was better equipped than poor Jack's.Originally posted by smittims View PostA I recall, though,they didn't use to talk over the music, as they do now. That's one reason why I usually switch it off , another being the 'Blue Peter ' style patronising tone to the listener : 'Let's join Maller (sic) in his little garden shed . Won't that be fun, children?'.
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I agree; I hate anachronism. I suppose it's all part of the problem of what to do with these 'semi-operas' or 'ambigues' as they used to be called. Most people just play the music, and that's all I want . But others want to try to find some visual or spoken dimension acceptable to a modern audience.
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Interestingly, it breaks the 2 hour block limitOriginally posted by kernelbogey View PostA fine Fidelio from ROH in 2020 last night 13 May: Davidsen, Kaufmann, Pappano.
(Our Austrian friends at Ö1 had to shuffle things around and pop the news in between acts.)
Perhaps TTN will start broadcasting longer operas again (e.g. 3+ hours of Glinka's "Ivan Susanin")...Last edited by AuntDaisy; 13-05-25, 10:15.
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I enjoyed the Sigurd Lie Symphony this morning: a cheerful, well-written piece of light music.No masterpiece of course, but a good example of the thousands of works written by forgotten or neglected male composers just as good if not better than the few overrated and over-broadcast women composers Radio 3 seems to love so much. If they played more of them it would put Florence Price , Mel Bonis and Elisabeth Jaquet de la Guerre in a more meaningful context at present.
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