Through the Night
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There’s a ruder version of this involving DickensOriginally posted by Serial_Apologist View Post
Reminds me of that old story about the two retired generals in conversation:
"I say, what do you reckon about Kipling?"
"No idea, old bean - I've never kippled".
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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But just remember those far-off halcyon days. I can't remember exactly what points we made to Mr Kipling: I do remember that, when offered, I took (and ate) one politely and you didn'tOriginally posted by Nick Armstrong View Post
New R3 presenter Mr Kipling
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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" Will there never come a seasonOriginally posted by Serial_Apologist View Post
Reminds me of that old story about the two retired generals in conversation:
"I say, what do you reckon about Kipling?"
"No idea, old bean - I've never kippled".
Which shall rid us from the curse
Of a prose which knows no reason
And an unmelodious verse:
When the world shall cease to wonder
At the genius of an Ass,
And a boy's eccentric blunder
Shall not bring success to pass:
When mankind shall be delivered
From the clash of magazines,
And the inkstand shall be shivered
Into countless smithereens:
When there stands a muzzled stripling,
Mute, beside a muzzled bore:
When the Rudyards cease from kipling
And the Haggards Ride no more."
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Very good, vints! Who wrote that?Originally posted by vinteuil View Post
" Will there never come a season
Which shall rid us from the curse
Of a prose which knows no reason
And an unmelodious verse:
When the world shall cease to wonder
At the genius of an Ass,
And a boy's eccentric blunder
Shall not bring success to pass:
When mankind shall be delivered
From the clash of magazines,
And the inkstand shall be shivered
Into countless smithereens:
When there stands a muzzled stripling,
Mute, beside a muzzled bore:
When the Rudyards cease from kipling
And the Haggards Ride no more."
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Didn’t I ??Originally posted by french frank View Post
But just remember those far-off halcyon days. I can't remember exactly what points we made to Mr Kipling: I do remember that, when offered, I took (and ate) one politely and you didn't

Not like me to refuse a French Fancy 
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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It was a lordly refusal rather like (I think I mentioned this previously) when Roy Jenkins turned down an invitation to sample a glass of the fruit cup made by one of the ladies of the constituency. Both kindly offeredOriginally posted by Nick Armstrong View Post
Didn’t I ??
Not like me to refuse a French Fancy 
and politely declined.
Just remembered, FFs probably not best after a pizza lunch.
It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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I was probably concerned that I would spray cake and icing crumbs all over the Controller while advocating for a more thoughtful Radio 3Originally posted by french frank View Post
It was a lordly refusal rather like (I think I mentioned this previously) when Roy Jenkins turned down an invitation to sample a glass of the fruit cup made by one of the ladies of the constituency. Both kindly offered
and politely declined.
Just remembered, FFs probably not best after a pizza lunch.
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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12:31 AM 12/9/2025
Gustav Mahler (1860-1911)
Symphony no 2 in C minor 'Resurrection'
Johanna Wallroth (soprano), Avery Amereau (mezzo soprano), Orfeó Català, Pablo Larraz (director), Swedish Radio Symphony Orchestra, Daniel Harding (conductor)
I chanced upon this at 0040, so missing ten minutes of the first movement; yet it nonetheless struck me within a few bars that this was an exceptional performance - and I chose not to seek out who was performing and conducting until the back-announcement.
Strongly recommended and I would love to know what other fans of this symphony think of this performance.
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I too heard this and was highly impressed. They brought out just how advanced Mahler was in his musical idiom, even at this early stage.Originally posted by kernelbogey View Post12:31 AM 12/9/2025
Gustav Mahler (1860-1911)
Symphony no 2 in C minor 'Resurrection'
Johanna Wallroth (soprano), Avery Amereau (mezzo soprano), Orfeó Català, Pablo Larraz (director), Swedish Radio Symphony Orchestra, Daniel Harding (conductor)
I chanced upon this at 0040, so missing ten minutes of the first movement; yet it nonetheless struck me within a few bars that this was an exceptional performance - and I chose not to seek out who was performing and conducting until the back-announcement.
Strongly recommended and I would love to know what other fans of this symphony think of this performance.
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Some exquisite wind and brass playing stood out for me. Also, in O Röschen Rot, the moment when the the soprano 'emerges' from the sound of the chorus was perfectly done.Originally posted by Serial_Apologist View Post
I too heard this and was highly impressed. They brought out just how advanced Mahler was in his musical idiom, even at this early stage.
I find the way conductors interpret this score in various differing ways fascinating. My touchstone, in memory, is Maazel some time in the 1970s in either RAH or RFH (can't remember which!).
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