Alexandre Tansman
Symphony No.5; Stèle in memoriam d'Igor Stravinsky; Four Movements for Orchestra
Czecho-Slovak State Philharmonic Orchestra (Košice)
c. Meir Minsky
(Marco Polo CD 8.223379)
How to explain why Tansman has become one of my favourite composers? The 5th Symphony makes as good as case as anything, with its motoric rhythmic string energy cross-cut with gentle, calm woodwinds, perfect symmetries and lean lack of padding. And, contrary to what many people try to tell me, I think Tansman's music sounds like ... well, Tansman. Of course his great friend Stravinsky is in there. So is Roussel. So for that matter is Arnold Bax. But the symphonies really inhabit their own world which isn't quite like anything else.
This pioneering version on Marco Polo isn't quite so well-played as the Chandos recording under Oleg Caetani (part of his complete set) but it is atmospheric and taut, while the rest of the programme - especially the magical, three movement Stèle with which Tansman celebrated the life and art of Stravinsky in a conscious homage - is not available elsewhere, and repays multiple hearings. Just like this enjoyable, fresh and kaleidoscopic symphony.
Symphony No.5; Stèle in memoriam d'Igor Stravinsky; Four Movements for Orchestra
Czecho-Slovak State Philharmonic Orchestra (Košice)
c. Meir Minsky
(Marco Polo CD 8.223379)
How to explain why Tansman has become one of my favourite composers? The 5th Symphony makes as good as case as anything, with its motoric rhythmic string energy cross-cut with gentle, calm woodwinds, perfect symmetries and lean lack of padding. And, contrary to what many people try to tell me, I think Tansman's music sounds like ... well, Tansman. Of course his great friend Stravinsky is in there. So is Roussel. So for that matter is Arnold Bax. But the symphonies really inhabit their own world which isn't quite like anything else.
This pioneering version on Marco Polo isn't quite so well-played as the Chandos recording under Oleg Caetani (part of his complete set) but it is atmospheric and taut, while the rest of the programme - especially the magical, three movement Stèle with which Tansman celebrated the life and art of Stravinsky in a conscious homage - is not available elsewhere, and repays multiple hearings. Just like this enjoyable, fresh and kaleidoscopic symphony.

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