Der Stein der Weisen, Mozart, Henneberg, Schack, Gerl and Schikaneder
Boston Baroque, soloists, d. Martin Pearlman
Telarc CD80508 (2-CD)
The Philosopher's Stone was a fantasy opera written collaboratively in Vienna, just before The Magic Flute, and inhabiting the same fantasy-pantomime-philosophical ground as its immortal successor. The five composers are an interesting group: here Schikaneder not only wrote the text, but also some of the music. Johann Baptist Henneberg, the primary composer, also conducted the first performance (as he did The Magic Flute's); Benedikt Schack sang Tamino in the later opera, and also the tenor lead in this one; while Franz Xaver Gerl was the first Sarastro, and sings a similar role here.
Then there is Mozart, whose contribution probably extends well beyond the two numbers for which he is 100% guaranteed responsible. Schack's tenor arias, which are developed much as Tamino's are in the later opera, certainly make one sit up and listen.
It's a joy to hear, not at the elevated level of The Magic Flute, but entertaining and cogent, with plenty to charm and even move us. A fascinating and delightful listen.
Boston Baroque, soloists, d. Martin Pearlman
Telarc CD80508 (2-CD)
The Philosopher's Stone was a fantasy opera written collaboratively in Vienna, just before The Magic Flute, and inhabiting the same fantasy-pantomime-philosophical ground as its immortal successor. The five composers are an interesting group: here Schikaneder not only wrote the text, but also some of the music. Johann Baptist Henneberg, the primary composer, also conducted the first performance (as he did The Magic Flute's); Benedikt Schack sang Tamino in the later opera, and also the tenor lead in this one; while Franz Xaver Gerl was the first Sarastro, and sings a similar role here.
Then there is Mozart, whose contribution probably extends well beyond the two numbers for which he is 100% guaranteed responsible. Schack's tenor arias, which are developed much as Tamino's are in the later opera, certainly make one sit up and listen.
It's a joy to hear, not at the elevated level of The Magic Flute, but entertaining and cogent, with plenty to charm and even move us. A fascinating and delightful listen.
Comment