Haydn

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  • adventsnore
    Full Member
    • Jul 2025
    • 60

    #76
    Originally posted by Hitch View Post
    WQXR's "104 Days of Haydn" looks like a useful prompt for an exploration of the many symphonies.
    "It's good." "I didn't like it." "Very organ-like" ... it's something, but an exploration it ain't. Max might as well be telling us about his bus journey that morning ... he doesn't consider how the symphonies compare, how Haydn's style changed, or give an indication of how his own response to Haydn developed. It's almost disrespectful to the creatives involved in performing and recording that music.

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    • smittims
      Full Member
      • Aug 2022
      • 6417

      #77
      Agreed, but is it any worse than Mark Forrest's irritating habit of describing naively in his own pictorial terms the music we've just heard? I've no doubt he's doing that just now. Seroius analysis, in fact anything intelectually demanding,is right out of fashion these days.

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      • adventsnore
        Full Member
        • Jul 2025
        • 60

        #78
        If it's his own pictorial terms, that's an interpretation and I get something from that. Music is notoriously difficult to say anything about

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        • Hitch
          Full Member
          • Nov 2010
          • 484

          #79
          Originally posted by adventsnore View Post
          ... it's something, but an exploration it ain't.
          I described it as a useful prompt, no more than that. It should go without saying that more substantial information and opinions on the symphonies are to be found elsewhere.

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          • oliver sudden
            Full Member
            • Feb 2024
            • 1342

            #80
            Originally posted by Hitch View Post

            I described it as a useful prompt, no more than that. It should go without saying that more substantial information and opinions on the symphonies are to be found elsewhere.
            Less substantial information can of course be found in my bluesky thread from a year or so ago
            So I’m going to give #A-Haydn-A-Day a go, but it’s slightly tricky. I bought the Haydn 107 box fiveish years ago, intending to do a complete listen at last—the pandemic seemed like a good opportunity. But I did more concerts/recordings than I expected, and the Barbirolli Brick also got in the way.

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            • MickyD
              Full Member
              • Nov 2010
              • 5225

              #81
              I'm very late to this rebooted discussion. The early symphonies are by far my favourites...lithe, agile and witty. We are so lucky to be able to hear them in so many excellent period recordings, particularly those Solomon ones that are now available again. I would advise everyone to get hold of that box before it vanishes.

              So many positive things have been said on here about the man and his music. I would just add that every time I listen to a symphony or two, I end up feeling that life, for all it's challenges, is well worth living.

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              • Hitch
                Full Member
                • Nov 2010
                • 484

                #82
                oliver sudden Bravo!

                Originally posted by MickyD View Post
                I'm very late to this rebooted discussion. The early symphonies are by far my favourites...lithe, agile and witty. We are so lucky to be able to hear them in so many excellent period recordings, particularly those Solomon ones that are now available again. I would advise everyone to get hold of that box before it vanishes.

                So many positive things have been said on here about the man and his music. I would just add that every time I listen to a symphony or two, I end up feeling that life, for all it's challenges, is well worth living.
                Symphony no. 22, "The Philosopher", is the latest one to charm me. Its adagio is a contradiction for it plods sublimely, like an unhurried butler. Having recently come round to Haydn's symphonies, I am tempted to buy a "doorstop" box set of the works. Sadly, post-Christmas budgeting austerity dictates that my Spotify subscription (yes, I know, don't hit me) will have to suffice. The more I hear of Haydn, the more he epitomises the Enlightenment; no other composer makes me feel so outright civilised for listening to him.

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