New and recent Mahler recordings
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IIR, wasn't that on Record Review? I quite like to get Francois Xavier Roth's new Mahler 5! Currently listening to vol.1 or Strauss's tone poems.Originally posted by mahlerei View PostAnd a pretty positive Gramophone review of Thierry Fischer's Utah M8:
https://www.gramophone.co.uk/review/...y-no-8-fischerDon’t cry for me
I go where music was born
J S Bach 1685-1750
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Have you heard Vänskä's new(ish) account of the 5th on BIS? Is it part of a new cycle? This review seems to suggest it is: https://www.gramophone.co.uk/review/...C3%A4nsk%C3%A4It loved to happen. -- Marcus Aurelius
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Yes:Originally posted by Thropplenoggin View PostHave you heard Vänskä's new(ish) account of the 5th on BIS? Is it part of a new cycle? This review seems to suggest it is: https://www.gramophone.co.uk/review/...C3%A4nsk%C3%A4
and it is the start of a new cycle, with No. 6 due for release soon.
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F-X R's 1st is in my view one of the best performances around. Unlike the rather boxy sound of his 5th (why did they record it in a WDR studio, rather than the Kölner Philharmonie?), it enjoys the excellent acoustics of the Freiburg Konzerthaus. I'll e-mail you about it.Originally posted by mahlerei View PostShameless plug alert. My thoughts on Roth's M5:
http://www.musicweb-international.co..._HMM905285.htm
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HDOriginally posted by HighlandDougie View PostF-X R's 1st is in my view one of the best performances around. Unlike the rather boxy sound of his 5th (why did they record it in a WDR studio, rather than the Kölner Philharmonie?), it enjoys the excellent acoustics of the Freiburg Konzerthaus. I'll e-mail you about it.
Agree about the studio sound of the Roth M5. The new Sudbin Rachmaninov 2 & 3 (Maida Vale Studios) is similarly afflicted.
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Well it’s a rave, although he does acknowledge a lot of the criticisms of Jansons’s previous recordings. I’m tempted to use the blind pig and the acorn analogy, but wouldn’t it be nice if Jansons has jettisoned his internal fussbudget?Originally posted by mahlerei View Post
Attributing this to a realization of impending mortality on the part of Jansons, as this reviewer does, is surely off the mark:
Jansons had a near death experience nearly 20 years ago and had a defibrillator implanted then, and he has been living with the specter of sudden cardiac death since.
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This must have been one of Jansons' first concerts as not the chief conductor of the orchestra; maybe this produced some sort of chemical reaction.
I'm always up for a new Seventh, a work I suggest particularly suitable for the sonoroties of the Concertgebouw orchestra.Last edited by Alison; 17-01-18, 09:43.
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Yes maestro, there are those critical of Jansons. I'm not one of them! I admire most of his recordings and love to see him in live concert when I can.Originally posted by Brassbandmaestro View PostI know some members find Janson’s interpretations rather episodic, but I think they flow rather nicely.Last edited by Stanfordian; 18-01-18, 10:53.
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Oh he’s be of the conductor’s on my wish list to see! How I wish I could go!Originally posted by Stanfordian View PostYes maestro, there are those critical of Jansons. I'm not one of them! I admire most of his recordings and love to see him in live concert when I can.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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