Machaut...hooray...

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    Machaut...hooray...

    Some early early music. Thank goodness.




    Lucie Skeaping discovers the remarkable Guillaume de Machaut, as both poet and composer in 1300s France, in conversation with Machaut experts Elizabeth Eva Leach and Uri Smilansky.

    With thanks to French Radio, Le Miroir de Musique, the Orlando Consort and Sollazzo Ensemble for making recordings available for this programme.


    Why the BBC-speak? I think Machaut was 'discovered' a little before Lucie did! Even before a student consort sang his Mass in the 1960s...a wonderful experience of a work then seldom performed.

    Lucie Skeaping discovers the remarkable Guillaume de Machaut, renowned poet and composer


    Going a bit off topic, and making some sort of apology to Lucie Skeaping, I was watching this programme om iPlayer earlier tonight:

    Simon Schama examines the relationship between Queen Elizabeth I and her cousin Mary.


    The incidental music was composed by John Harle and included vocal contributions by Emma Kirkby and Lucie Skeaping. It is magical and atmospheric.
    Unfortunately it is only heard from time to time during the programme, so don't judge it by the short opening bit.






    Last edited by ardcarp; 29-09-23, 22:03.

    #2
    Originally posted by ardcarp View Post
    .......................The incidental music was composed by John Harle and included vocal contributions by Emma Kirkby and Lucie Skeaping. It is magical and atmospheric.
    Unfortunately it is only heard from time to time during the programme, so don't judge it by the short opening bit...... ​
    I have been (sporadically) re-watching the Schama series. Sorry, I don't have time to watch that episode again, but it might well be the re-working of the Three Ravens, which I sought out as it sounded so - yes :magical, atmospheric. It was available on an album "Terror and Magnificence" and I have found it on streaming services (I use YouTubeMusic) :


    I believe the soprano singing in the stratosphere in Three Ravens was Sarah Leonard but you are correct that Kirkby and Skeaping do feature on the music for the series recorded for TV (however, they are not listed as contributors on the above CD).

    The very opening of the programme, TV soundtrack, might well be Kirkby:
    Music by John Harle with Emma Kirkby (Soprano Voice)Available on 'Songs from A History of Britain' BBC Records

    Comment


      #3
      The 'BBCSpeak' you refer to (and yes, I find it irritating too) is part of a long tradition of leading the listener into a subject by pretending the presenter knows as little as the man on the Clapham omnibus. On TV it's often done by a comedian trying to make a pot or fire a steam engine and, of course making a mess of it.

      I remember Brian Kay saying (not about Machaut) 'I had to admit I hadn't heard of this composer before I saw this request', and my saying 'Oh, come off it, Brian; I'm sure you had.'

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        #4
        Catherine Bott "discovered" him even earlier, in 2011 (& 2009)
        Catherine Bott explores one of Guillaume de Machaut's extraordinary works, Le voir dit.

        Comment


          #5

          Time will discover everything to posterity; it is a babbler, and speaks even when no question is put.

          Discover = make known

          (Can someone identify the source of the quote?)

          Comment


            #6
            Originally posted by AuntDaisy View Post
            Catherine Bott "discovered" him even earlier, in 2011 (& 2009)
            https://www.bbc.co.uk/programmes/b010623d
            Ooh, thank you for that, Auntie. Jogged my memory that I "discovered" him - and Le voir dit - even earlier than that, so long ago I've forgotten the date, c.1972(?). Also found the complete text of the work online too
            It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

            Comment


              #7
              Originally posted by Mandryka View Post
              Time will discover everything to posterity; it is a babbler, and speaks even when no question is put.
              Discover = make known
              (Can someone identify the source of the quote?)
              Was it John Cleese in ISIRTA? Thinking of his You rip-a dese and I'll rip-a those contribution.

              Happy to help FF - it's a shame that only 15mins of that 2011 EMS is on the BBC website.
              As ardcap says, I wish they'd do more Early Early Music.

              Comment


                #8
                Originally posted by french frank View Post

                Ooh, thank you for that, Auntie. Jogged my memory that I "discovered" him - and Le voir dit - even earlier than that, so long ago I've forgotten the date, c.1972(?). Also found the complete text of the work online too
                My memory was jogged towards my "discovery" of Machaut via a perhaps unlikely source, an East German LP which I acquired in Berlin in the early 70s. Dietrich Knothe and his Capella Lipsiensis did some laudable pioneering work in the early music field in the 60s and 70s.

                Comment


                  #9
                  Originally posted by smittims View Post
                  a long tradition of leading the listener into a subject by pretending the presenter knows as little as the man on the Clapham omnibus
                  Extremely annoying. What's wrong with taking the attitude of "I find this so fascinating that I've put a lot of time and energy into learning all about it, let me share some of this knowledge and maybe you'll want to find out more for yourself".

                  It's very fortunate that so much of Machaut's work has survived, in comparison with many of his contemporaries, because it's such a beautiful and varied oeuvre.

                  If I may: go to 3:35 in this video



                  for an instrumental realisation of one of Machaut's four-part chansons which emphasises the in(ter)dependence between the voices.



                  Comment


                    #10
                    Originally posted by RichardB View Post
                    Extremely annoying. What's wrong with taking the attitude of "I find this so fascinating that I've put a lot of time and energy into learning all about it, let me share some of this knowledge and maybe you'll want to find out more for yourself".
                    Yes, the 'authoritative' voice of R3 has been replaced by 'Let's go on a journey together to find out...'

                    Originally posted by RichardB View Post
                    If I may: go to 3:35 in this video


                    Originally posted by RichardB View Post
                    for an instrumental realisation of one of Machaut's four-part chansons which emphasises the in(ter)dependence between the voices.
                    Thank you for that link - and the music!
                    It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

                    Comment


                      #11
                      The think that helped me discover Machaut was the Hilliard recording of the motets. Those motets are, for me, the summit. I like the mass of course, but I find the motets more intriguing. And the Hilliard recording seems to me pretty well unsurpassed because of the way they make sense of the words: if you follow with the text, you see how they're expressing the meaning -- that seems to me the right approach. This sort of thing

                      Lasse! je sui en aventure, M7The Hilliard EnsembleCelebrating their 30th anniversary, the Hilliard Ensemble turns to the Motets of Machaut, 18 exquisitely wr...
                      Last edited by Mandryka; 30-09-23, 17:17.

                      Comment


                        #12
                        Although it only features four Machaut pieces, I recommend this disk (one of about five disks of Gothic Voices I have) -

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                          #13
                          I've long been fascinated by Machaut's music - particularly the unusual modes he built his compositions on with their odd diminished intervals, which make his music sound strangely "modern". Isn't one of the reasons his work has survived better than others contemporary with him because his was thoroughly notated, and theirs wasn't?

                          Comment


                            #14
                            Originally posted by Serial_Apologist View Post
                            I've long been fascinated by Machaut's music - particularly the unusual modes he built his compositions on with their odd diminished intervals, which make his music sound strangely "modern". Isn't one of the reasons his work has survived better than others contemporary with him because his was thoroughly notated, and theirs wasn't?
                            I don't think it has to do with the way in which his music is notated - more than he was unusually punctilious in collecting and preserving the manuscripts that comprise his oeuvre, as though for posterity...

                            Comment


                              #15
                              Originally posted by Joseph K View Post
                              I don't think it has to do with the way in which his music is notated - more than he was unusually punctilious in collecting and preserving the manuscripts that comprise his oeuvre, as though for posterity...
                              Indeed. Also he lived into his late 70s which must have been quite unusual in the 14th century.

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