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    #31
    Originally posted by Darkbloom View Post
    [...] One British Wotan nobody seems to mention these days is David Ward. We've heard of Bailey and Tomlinson but Ward seems to have been squeezed out, probably because there isn't a recording, at least as far as I know.​
    I completely agree with you about Ward, in many ways the most imperious and individual British Wotan of them all. As a teenager I was lucky enough to hear him live in the Scottish Opera production: when writing an article about him fairly recently, I had assurances that off-air recordings do exist - but I didn't seek them out, and am not sure that anything's ever been made publicly available.

    Anyone with a library card (or a personal subscription) can learn more about this very special singer - and generous man - here:
    https://doi.org/10.1093/odnb/9780198614128.013.111774
    Last edited by Master Jacques; 03-05-24, 09:56.

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      #32
      Originally posted by Master Jacques View Post
      I completely agree with you about Ward, in many ways the most imperious and individual British Wotan of them all. As a teenager I was lucky enough to hear him live in the Scottish Opera production: when writing an article about him fairly recently, I had assurances that off-air recordings do exist - but I didn't seek them out, and am not sure that anything's ever been made publicly available.

      Anyone with a library card (or a personal subscription) can learn more about this very special singer - and generous man - here:
      https://doi.org/10.1093/odnb/9780198614128.013.111774
      I always prefer a bass Wotan. I understand Ward was absolutely huge, Martti Talvela size, which must have been quite striking on stage. It's a great shame he isn't recognised more.

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        #33
        Originally posted by Darkbloom View Post

        I always prefer a bass Wotan. I understand Ward was absolutely huge, Martti Talvela size, which must have been quite striking on stage. It's a great shame he isn't recognised more.
        He was certainly an imposing figure on stage. One decision he made - not to play Wotan when asked by Bayreuth, due to prior commitments and his firm refusal to sing more than a limited number of performances during any one year - impacted on his fame, though not the extent of his international career. He did get a CBE for his work.

        Another point: when he retired, he emigrated to New Zealand (where his wife hailed from) and was promptly forgotten here: obituaries in the UK were thin on the ground, and it's taken a while for people to catch up again with his supreme qualities.

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