BaL 19.03.11 Mahler Symphony no. 10

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  • Eine Alpensinfonie
    Host
    • Nov 2010
    • 20531

    BaL 19.03.11 Mahler Symphony no. 10

    Reviewed by Stephen Johnson

    Mahler’s 10th symphony is available in a complex array of versions.
    The nearest we can be to true authenticity is to hear the Adagio only, but even this appears in varying editions.

    The other movements have been completed by
    Deryck Cooke, Clinton Carpenter, Joe Wheeler and Rudolph Barshai.

    Then there is a recomposed version by Matthew Herbert, which is unlikely to be considered in BAL.

    Adagio only:

    Cleveland Orchestra; Boulez
    Bamberg Symphony Orchestra; Rickenbacher
    San Francisco Symphony Orchestra; Tilson Thomas
    Frankfurt Radio Symphony Orchestra; Jarvi
    London Symphony Orchestra; Gergiev
    Vienna Symphony Orchestra; Adler (with “Purgatorio”)
    Kremerata Baltica; Kremer (arr. Hans Stadlmer for strings)
    Atlanta Symphony Orchestra; Levi
    Chicago Symphony Orchestra; Abbado
    Polish National Radio Symphony Orchestra; Wit
    Vienna Philharmonic Orchestra; Mitropoulos
    Bavarian Radio Symphony Orchestra; Kubelik
    *Philadelphia Orchestra; Levine
    Concertgebouw Orchestra; Haitink
    Vienna Philharmonic Orchestra; Bernstein
    Vienna Philharmonic Orchestra; Maazel
    Czech Philharmonic Orchestra; Neumann
    Concertgebouw Orchestra; Chailly
    Philharmonia Orchestra; Sinopoli
    Sofia Philharmonic Orchestra; Tabakov
    New York Philharmonic Orchestra; Bernstein
    Koln Rundfunk-Sinfonieorchester; Bertini


    Deryck Cooke version:

    Vienna Philharmonic Orchestra; Harding
    Philadelphia Orchestra; Ormandy
    Berlin Philharmonic Orchestra; Rattle
    BBC Philharmonic Orchestra; Noseda
    Swr Sinfonie orchester Baden-Baden; Gielen
    Berlin Symphony Orchestra; Sanderling
    London Symphony Orchestra; Goldschmidt
    Berlin Radio Symphony Orchestra; Chailly
    Frankfurt Radio Symphony Orchestra; Inbal
    New Philharmonia Orchestra; Wyn Morris

    Christopher White (arr. for piano)

    Clinton Carpenter version:

    Tonhalle Orchestra, Zurich; Zinman
    Singapore Symphony Orchestra; Shui
    Dallas Symphony Orchestra; Litton

    Rudolph Barshai version:

    Junge Deutsche Philharmonie; Barshai

    Wheeler version:

    Polish National Radio Symphony Orchestra; Olson

    Mazzetti version:

    St Louis Symphony Orchestra; Slatkin

    Wheeler/Mazzetti version:

    Cincinnata Symphony Orchestra; Lopez-Cobos

    Matthew Herbert recomposed version:

    Philharmonia Orchestra; Sinopoli
    Last edited by Eine Alpensinfonie; 19-06-11, 10:32. Reason: Additional version and corrections
  • Bryn
    Banned
    • Mar 2007
    • 24688

    #2
    What about Mazzetti's, Wheeler's or Samale & Mazzuca's, all of which performing versions or completions have been recorded at least once? As to the supposed authenticity of performing the Adagio alone, that's nonsense. What's so 'authentic' about presenting a 'bleeding chunk' single movement of a five movement work?

    Comment

    • HighlandDougie
      Full Member
      • Nov 2010
      • 2986

      #3
      Apart from the Adagio, I resisted listening to this symphony for years for the pretty feeble reason that it was not echt-Mahler and that it was spurned by Mahler conductors whom I greatly respected (Abbado, Bernstein etc). A chance hearing last year of Mahler arr Cooke made me wonder if I had been missing something so I've been listening to it quite a bit since then. It can never be completely echt-Mahler but if one is prepared to listen to it as a piece of music without worrying too much about its provenance (heresy, I know) it is pretty convincing as a symphony - and, dare one say, a great symphony. I'm as moved by its final movement as that of the 9th. While I'm not sure that I'm ready to move beyond Cooke (the Carpenter sounds, to use a good Scots expression, like a right guddle), the fine recording and the sheer beauty of the VPO's playing has me seduced by the Daniel Harding recording, which I suspect that others will hate (and not just because it's Daniel Harding) as he treats the music as if it were Mahler discovering a new direction, rather than harking back to the pathos of the 9th.

      Comment

      • Bryn
        Banned
        • Mar 2007
        • 24688

        #4
        Harding's, along with the BBC Music Magazine cover disc with the BBCNOW conducted by Wigglesworth, is the Mahler 10 recording I have the greatest regard for. Good for Harding - a great Cooke et al performing version of the sketches for Mahler's 10th, and a fine Samale/Mazzuca/Phillips/Cohrs (2008) completion of Bruckner's 9th (just Google "bruckner 9th harding download", without the quotes) under his cap.

        Comment

        • Eine Alpensinfonie
          Host
          • Nov 2010
          • 20531

          #5
          Thanks to Bryn and those who have sent private messages with corrections and additions

          Comment

          • Bryn
            Banned
            • Mar 2007
            • 24688

            #6
            The Wheeler recording I had in mind was this one:

            ,

            while the Mazzetti was that recorded by Slatkin:



            which I really cannot find anything good say about (i.e. I did not like it).

            Szell recorded both the Adagio and Purgatorio ('live') in the old Krenek et al edition, though neither appear to be currently in print. They can, however, be found via the Internet, and at a price.
            Last edited by Bryn; 11-03-11, 20:56. Reason: Removal of excess.

            Comment

            • Eine Alpensinfonie
              Host
              • Nov 2010
              • 20531

              #7
              Originally posted by Bryn View Post
              As to the supposed authenticity of performing the Adagio alone, that's nonsense. What's so 'authentic' about presenting a 'bleeding chunk' single movement of a five movement work?
              Strictly speaking, the only way to be "authentic" is to play Mahler's score exactly as he left it, which would be disrespectful. However, as he left the Adagio more or less complete, playing this whole movement (hardly a bleeding chunk) is more authentic than presenting any other version. Having said that, I applaud the attempts by Cooke and others to help us to appreciate the rest of Mahler's vision.

              I've added Slatkin to the list as it's still obtainable online.

              Comment

              • Alison
                Full Member
                • Nov 2010
                • 6430

                #8
                Who's the reviewer ?

                Not Secko please !

                Comment

                • Eine Alpensinfonie
                  Host
                  • Nov 2010
                  • 20531

                  #9
                  Originally posted by Alison View Post
                  Who's the reviewer ?

                  Not Secko please !
                  Stephen Johnson

                  Comment

                  • french frank
                    Administrator/Moderator
                    • Feb 2007
                    • 29422

                    #10
                    Originally posted by Alison View Post
                    Who's the reviewer ?

                    Not Secko please !
                    No - you'll be pleased to hear it's Stephen Johnson!

                    Edit: you wait an hour and a half for an answer and two come along at the same time ....
                    It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.

                    Comment

                    • Bryn
                      Banned
                      • Mar 2007
                      • 24688

                      #11
                      The discs of the Samale & Mazzuca performing version are ridiculously expensive, but you can get some idea from this series of YouTube postings. Unfortunately the first and fifth movements are divided into two sections each, and the edit points are rather untidy. They data rate of the aac audio appears to be at around 112kbps.:

                      Movements

                      1a = http://www.youtube.com/watch?v=1JPe6...yer_detailpage
                      1b = http://www.youtube.com/watch?v=1JPe6...yer_detailpage
                      2 = http://www.youtube.com/watch?v=anrdR...yer_detailpage
                      3 = http://www.youtube.com/watch?v=BNwam...yer_detailpage
                      4 = http://www.youtube.com/watch?v=_SXl1...yer_detailpage
                      5a = http://www.youtube.com/watch?v=daV2g...yer_detailpage
                      5b = http://www.youtube.com/watch?v=osp59...yer_detailpage

                      Comment

                      • Barbirollians
                        Full Member
                        • Nov 2010
                        • 11355

                        #12
                        EA - you have left out the Bournemouth SO/Rattle.

                        Comment

                        • BBMmk2
                          Late Member
                          • Nov 2010
                          • 20908

                          #13
                          I love this work. I dont care if it not 'pure' Mahler. As far as I am concerned, it is. There are some very good advocates for this work, of which I have the BPO/Rattle reocrding. I am not so taken with(my nnamesake, as it happens), Joe Wheeler. It just just doesnt flow as the Derycke Cooke version does.
                          Don’t cry for me
                          I go where music was born

                          J S Bach 1685-1750

                          Comment

                          • Eine Alpensinfonie
                            Host
                            • Nov 2010
                            • 20531

                            #14
                            Originally posted by Barbirollians View Post
                            EA - you have left out the Bournemouth SO/Rattle.
                            As far as I'm aware this one isn't available at present.

                            Comment

                            • Bryn
                              Banned
                              • Mar 2007
                              • 24688

                              #15
                              Originally posted by Eine Alpensinfonie View Post
                              As far as I'm aware this one isn't available at present.
                              Indeed not. Something of a suprise, that. Not on CFP any more and not even on HMV Classics, it would appear. It can, however, be purchased as a download (at a somewhat inflated price where amazon.co.uk is concerned), from various vendors, so I think it might just get a mention in passing.

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