BaL 1st October 2011 - Bruckner's 8th Symphony

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    BaL 1st October 2011 - Bruckner's 8th Symphony

    Richard Osborne with a personal recommendation from the available recordings of Bruckner's Symphony No.8

    Available versions:

    CD
    BBC Symphony Orchestra, Sir Reginald Goodall
    Staatskapelle Dresden, Eugen Jochum
    Radio-Sinfonie-Orchester Frankfurt, Eliahu Inbal
    Symphonieorchester des Bayerischen Rundfunks, Lorin Maazel
    Royal Concertgebouw Orchestra, Riccardo Chailly
    Chicago Symphony Orchestra, Daniel Barenboim
    Bavarian Radio Symphony Orchestra, Eugen Jochum
    Vienna Symphony Orchestra, Volkmar Andreae
    Berlin Radio Symphony Orchestra, Heinz Rogner
    SWR-Sinfonieorchester Baden-Baden und Freiburg, Michael Gielen
    Stuttgart Radio Symphony Orchestra, Carl Schuricht
    Vienna Pro Musica Orchestra, Jascha Horenstein
    NDR Symphony Orchestra, Hamburg, Schuricht
    Munich Philharmonic Orchestra, Hans Knappertsbusch
    Bayerisches Staatsorchester, Hans Knappertsbusch
    Leningrad Philharmonic, Evgeny Mravinsky
    Tonhalle Orchestra Zurich, Karl Bohm
    Zürich Tonhalle Orchestra, Rudolf Kempe
    Berlin Philharmonic Orchestra, Nikolaus Harnoncourt
    Berliner Philharmoniker, Wilhelm Furtwängler
    Prague Radio Orchestra, Lovro von Matacic
    Rundfunk-Sinfonieorchester Leipzig, Hermann Abendroth
    Saarbrücken Radio Symphony Orchestra, Stanislaw Skrowaczewski
    Bavarian Radio Symphony Orchestra, Rafael Kubelik
    Orchestra de la Suisse Romande, Marek Janowski
    Bruckner-Orchester Linz, Dennis Russell Davies
    Berliner Philharmoniker, Klaus Tennstedt
    Berliner Philharmoniker, Carlo Maria Giulini
    Philharmonic-Symphony Orchestra, Bruno Walter
    Philharmonia Orchestra, Carlo Maria Giulini
    Royal Concertgebouw Orchestra, Mariss Jansons
    Berliner Philharmoniker, Daniel Barenboim
    London Philharmonic Orchestra, Klaus Tennstedt
    Münchner Philharmoniker, Günter Wand
    Berliner Philharmoniker, Günter Wand
    Bavarian Radio Symphony Orchestra, Karl Böhm
    NDR Symphony Orchestra, Carl Schuricht
    Royal Concertgebouw Orchestra, George Szell
    Royal Concertgebouw Orchestra, Bernard Haitink
    Wiener Philharmoniker, Herbert von Karajan
    Wiener Philharmoniker, Pierre Boulez
    Orchestra Métropolitan, Yannick Nézet-Séguin
    Mozarteum Orchestra Salzburg, Ivor Bolton
    Munich Philharmonic Orchestra, Sergiu Celibidache
    Ireland National Symphony Orchestra, Georg Tintner
    New York Philharmonic Orchestra, Bruno Walter
    Vienna Philharmonic Orchestra, Wilhelm Furtwängler
    Symphonieorchester des Bayerischen Rundfunks, Rafael Kubelík
    Philharmoniker Hamburg, Simone Young
    Staatskapelle Dresden, Bernard Haitink
    Staatskapelle Dresden, Christian Thielemann
    Vienna Philharmonic Orchestra, Hans Knappertsbusch
    Kölner Rundfunk-Sinfonie-Orchester, Otto Klemperer
    Kölner Rundfunk-Sinfonieorchester, Günter Wand
    Berliner Philharmoniker, Herbert von Karajan (2 versions)
    Wiener Philharmoniker, Sir Georg Solti

    Lionel Rogg (organ)

    DVD
    The Cleveland Orchestra, Franz Welser-Möst
    Wiener Philharmoniker, Pierre Boulez
    Wiener Philharmoniker, Herbert von Karajan
    NDR Sinfonieorchester, Günter Wand
    Berlin Philharmonic Orchestra, Herbert von Karajan
    Deutsches Symphonie-Orchester Berlin (DSO), Kent Nagano
    World Philharmonic Orchestra, Carlo Maria Giulini
    Israel Philharmonic Orchestra, Zubin Mehta
    Last edited by Eine Alpensinfonie; 28-02-15, 20:46.

    #2
    You can add to the list: London Philharmonic Orchestra, Neeme Jarvi, on Chandos. Not, I would have to say, Neeme's finest moment!

    Comment


      #3
      This one's a monster to cover. And among others you might add - all findable, whether "available" or not, I have:

      Böhm Vienna PO DG

      Celibidache Suttgart Radio SO DG

      Furtwängler Vienna PO (1944) DG
      Furtwängler Berlin PO (1949) Audite - a different performance (a day later) from the one on Testament

      There are several different Haitink Concertgebouw performances, and another with the Vienna PO

      Jochum Hamburg State PO (1949), DG 449 758-2, still obtainable from marketplace sellers last time I looked.
      Jochum Hessian Radio (1940), Tahra 638-9
      Jochum Bamberg SO (1982), Altus DVD 001 (easy to get from Japan)
      Jochum Berlin PO (1964) - the standard DG version, which I think you have above as Bavarian Radio SO
      Jochum Concertgebouw (1984) Tahra 169

      There are two Kubelik performances, both with BRSO on Orfeo and BR Klassik - not sure which one you've listed.

      Matacic NHKSO 1975 Altus 048
      Matacic NHKSO 1984 NHK DVD (both available in Japan)

      Prêtre Vienna SO Weitblick 0096-2

      Solti Chicago SO 430228-2
      Svetlanov USSRSO Scribendum 020
      Szell Cleveland Sony Classical
      Szell Vienna PO Living Stage

      And that's just from what's on my shelves. There are several different Karajan versions too.

      Since it's RO reviewing it, my guess would be that he'll go for Karajan's late VPO set - or maybe Giulini on DG, which he called (rightly I think) "one of the great Bruckner recordings of the age".

      Comment


        #4
        Horenstein, LSO, recorded live at the Proms, 1970./ BBC 'Legends' CD

        Comment


          #5
          Three more, all on LP:

          Cleveland O., Szell (CBS)
          New Philharmonia O., Klemperer (EMI HMV)
          Schuricht/VPO (EMI HMV)

          I got to know the work from that Szell/Cleveland version and still treasure it. I have never really warmed to Klemperer. The Schuricht is very good as far as I can tell, which is halfway: one of the biggest frustrations of my collecting career, its a two LP set, but I've only got one of them. Looks like it'll stay that way, judging from the prices now being asked on ebay.

          Comment


            #6
            Are we/is he going to get all tangled up with performing editions on this one?

            I've had Cleveland/Szell for years, which I like a lot. And more recently BPO/Barenboim.

            Comment


              #7
              "On the Shoulder of Giants"(Peter Graham), indeed!
              Don’t cry for me
              I go where music was born

              J S Bach 1685-1750

              Comment


                #8
                Originally posted by verismissimo View Post
                Are we/is he going to get all tangled up with performing editions on this one?

                I've had Cleveland/Szell for years, which I like a lot. And more recently BPO/Barenboim.
                We had something of that discussion during the Proms - seems a bit soon to go there again, maybe? But for anyone who wants to see what's what, the discography on abrucker.com gives all the details

                Comment


                  #9
                  In addition to those listed and to the helpful amendments from Makropolous, there is a live 1966 performance from Joseph Keilberth and the Cologne Radio Symphony Orchestra on Orfeo.

                  Incidentally, I'm not aware of a version from Mariss Jansons and the Concertgebouw as listed. Is this perhaps the RCO Live Haitink?

                  Many of these recordings, perhaps as many as 75% of them, will not even be considered due to corrupt editions, dated sound and so on and I'd agree with Makropolous that RO will choose either VPO/Karajan or VPO/Giulini though I wouldn't rule out BRSO/Kubelik recently issued on the orchestra's own label or BPO/Tennstedt on Testament.
                  Last edited by Petrushka; 25-09-11, 18:04.
                  "The sound is the handwriting of the conductor" - Bernard Haitink

                  Comment


                    #10
                    The live Barbirolli on BBC legends got a rave review from RO a few years back .

                    Comment


                      #11
                      I've got Schuricht on a CD which was burned from the original LPs: working in a CD shop, I was enthusing about Bruckner (as you do) and got talking with a man who just loved the Eighth. And lo and behold, a couple of days later he returned with the precious gift.

                      It is a very fine recording, but I still have to admit it doesn't quite displace Karajan's later VPO account in my affections: totally divine IMHO and Herbert's finest hour. So I imagine that RO won't choose it for BaL

                      Comment


                        #12
                        Originally posted by Colonel Danby View Post
                        Karajan's later VPO account in my affections: totally divine IMHO and Herbert's finest hour.
                        Colonel, frightfully sorry and all that, but that HvK/VPO is a performance whose virtues have always totally eluded me. It's precisely how I don't like Bruckner played - slow, marmoreal &c. &c. I raced to buy it when it came out as No 8 is one of my favourite symphonies, but... I tried. But I got rid of it.

                        I am a huge fan of Klaus Tennstedt in this piece. He plays it as I imagine it.
                        "...the isle is full of noises,
                        Sounds and sweet airs, that give delight and hurt not.
                        Sometimes a thousand twangling instruments
                        Will hum about mine ears, and sometime voices..."

                        Comment


                          #13
                          I got to know the Bruckner 8 from the 1944 VPO/Furtwangler back in 1974 when recordings were thin on the ground. RO will not be choosing this version, and nor should he, but I would not be at all surprised if he did at least play the climax of the first movement which is the most terrifying on disc. Still a great performance and one which holds a special place in my affections.

                          There are now so many good recordings about but I side with Colonel Danby in choosing the 1988 VPO/Karajan. There is also a magnificent DVD of a 1979 performance given at St Florian (VPO) a fortnight before I saw Karajan for the only time conduct this very work (BPO) in the RFH.
                          "The sound is the handwriting of the conductor" - Bernard Haitink

                          Comment


                            #14
                            Originally posted by Caliban View Post
                            I am a huge fan of Klaus Tennstedt in this piece. He plays it as I imagine it.
                            In which case, the recent Testament issue with the BPO must be right up your street. I recall attending a performance of the 8th in the RFH in 1980 when Eugen Jochum was to have conducted the LPO. He was indisposed and his place was taken by Klaus Tennstedt. Riches indeed!
                            "The sound is the handwriting of the conductor" - Bernard Haitink

                            Comment


                              #15
                              I should have added that the BBC legends Barbirolli is by miles by favourite version - vital, yet spiritual . I am also a fan of the 1944 Furtwangler and have a sneaking regard for the Boulez.

                              Comment

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