Originally posted by Hitch
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What are you listening to now - I ?
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Elgar
Symphony 2, Barenboim, LPO.
Not sure if I already had this, but picked it up on Sony Essential Classics for £1.99 in Oxfam.
I wonder if this is the best mastering of this recording - I may have heard it - I think on tape shortly after it came out,
one of the best recordings I'd heard up to then or since I thought.
There's distortion noticeable on my equipment, but maybe that's just the equipment. Obviously (!!) I need to spend a lot more
to get something better. Was this one ever issued as an SACD or indeed as a high res download? Forget the fact that the original was analogue - that doesn't matter. Highly recommended if you can get a version which doesn't obviously have distortion and/or your equipment can take it. Perhaps JLW will know.
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Stravinsky - Symphony in Three Movements. Igor Stravinsky, Columbia Symphony Orchestra.
Originally posted by teamsaint View Posthappened upon this interesting review of a BPO/Rattle disc containing the same work, Hitch.
http://classicalcdreview.com/07630.html
It also adds how newsreels influenced his compositions' programmatic impulse, yet thinks his music would be a "tough Hollywood sell". I'm not so sure about that. From time to time, Stravinsky's music eschewed development and settled into a rhythmic "groove" that was/is well suited to cinematic suspense scenes. Hollywood composers seem to have absorbed Stravinsky pretty thoroughly. There are parts of the Rite and the Symphony in Three Movements that remind me of soundtracks to thrillers of the 60s and 70s.
I don't want to labour the point. Film music is a sore point around these parts, I understand, and I'd rather not be responsible for getting Igor banned from these forums.
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Originally posted by Hitch View PostStravinsky - Symphony in Three Movements. Igor Stravinsky, Columbia Symphony Orchestra.
Most interesting. The movements do feel spasmodic, so it was enlightening to read that Stravinsky cobbled together parts from an unfinished concerto and a film soundtrack - a format that is essentially stop-start. The review mentions that critics noted a lack of thematic transformation or development in his symphonic works.
It also adds how newsreels influenced his compositions' programmatic impulse, yet thinks his music would be a "tough Hollywood sell". I'm not so sure about that. From time to time, Stravinsky eschews development and settles into a rhythmic "groove" that is well suited to cinematic suspense scenes. Hollywood composers seem to have absorbed Stravinsky pretty thoroughly. There are parts of the Rite and the Symphony in Three Movements that remind me of soundtracks to thrillers of the 60s and 70s.
I don't want to labour the point. Film music is a sore point around these parts, I understand, and I'd rather not be responsible for getting Igor banned from these forums.
I'm having a listen to my Michael T T version later hopefully, so I'll keep your comments in mind.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by Petrushka View PostMozart: Overture - The Magic Flute
Liszt: Piano Concerto No 1
Alfred Brendel (piano)
[interval]
Vaughan Williams: Symphony No 9
London Philharmonic Orchestra
Bernard Haitink
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Originally posted by Alison View Post
Good one Pet ! I love that BH Magic Flute; can really 'see' him conducting that as I listen."The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by Stanfordian View PostHenze:
Sinfonie für Kammerorchester (1946/47, rev. 1963, 1991)
Sinfonia N. 6 für zwei Orchester (1969, rev. 1994)
Rundfunk-Sinfonieorchester Berlin/Marek Janowski
Recorded 2012 Berlin
Wergo
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Britten: Works for String Orchestra
Variations on a Theme of Frank Bridge
Simple Symphony
Lachrymae
Two Portraits
Elegy for Strings
Camerata Nordica / Terje Tønnesen
24/96 download of a new release from BIS for the Britten centenary, and a bit of a new take on the music. The performances suffer to a certain extent from BIS's legendary wide dynamic range, some of the tempi are unorthodox (a very slow and deliberate pace for the Playful Pizzicato's central section, for example), and excessively long pauses are inserted between variations in the Bridge. But the playing is exemplary (the Simple Symphony's Sentimental Sarabande is especially good), and the recording is admirably detailed, spacious and involving.
The Elegy was given its première performance at the BBC Proms on 31st August 2013 by Camerata Nordica, and this is its first recording.
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