What Classical Music Are You listening to Now? III

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    Originally posted by ferneyhoughgeliebte View Post
    https://www.amazon.co.uk/Piano-Music.../dp/B01NALGLYL

    ("Bebbington" and "Rebecca Ormordia" to be sublimely accurate )
    thank you Ferney. A very enjoyable recording this. The playing was quite breathtaking.
    Don’t cry for me
    I go where music was born

    J S Bach 1685-1750

    Comment


      8.30 Vaughan Williams: Five Tudor Portraits

      Rachel Kelly (mezzo)
      Neal Davies (bass)
      CBSO Chorus
      City of Birmingham Symphony Orchestra
      John Wilson (conductor).

      Live on R3, before the watershed.

      Disgusted of Norwich, 1936

      Comment


        Originally posted by Pulcinella View Post
        8.30 Vaughan Williams: Five Tudor Portraits

        Rachel Kelly (mezzo)
        Neal Davies (bass)
        CBSO Chorus
        City of Birmingham Symphony Orchestra
        John Wilson (conductor).

        Live on R3, before the watershed.

        Disgusted of Norwich, 1936


        How was the performance Pulcie ?
        I will have to catch up when I return home next week.
        It seems John Wilson is yer man for RVW currently.
        Chance to hear another rarely programmed big British choral work live on the wireless this coming Friday (again I player for me)

        Bliss - The Beatitudes

        How much rehearsal time does the flipping War Requiem need ?

        Naffed off Arthur

        Coventry,1962

        Comment


          Originally posted by EdgeleyRob View Post


          How was the performance Pulcie ?
          I will have to catch up when I return home next week.
          It seems John Wilson is yer man for RVW currently.
          Chance to hear another rarely programmed big British choral work live on the wireless this coming Friday (again I player for me)

          Bliss - The Beatitudes

          How much rehearsal time does the flipping War Requiem need ?

          Naffed off Arthur

          Coventry,1962

          A little too refined, I thought, but good to see it programmed.
          Mind you, when I sang it with the choral society I used to be in before moving to York, the ladies in the chorus were a bit refined then, too, but at least we had a 'drunken' soloist stumbling down the aisle of the church, to the amusement of the chorus (facing her) and bemusement of some of the audience!
          It's iPlayer Beatitudes for me too, as I'll be out Friday night.

          Comment


            Originally posted by Brassbandmaestro View Post
            Vaughan Williams
            The Piano Music of Ralph Vaughan Williams.
            Mark Babbington Rebeca Ormordo.

            This is truly a sublime RVW disc.

            Comment


              Originally posted by Pulcinella View Post

              A little too refined, I thought, but good to see it programmed.
              Mind you, when I sang it with the choral society I used to be in before moving to York, the ladies in the chorus were a bit refined then, too, but at least we had a 'drunken' soloist stumbling down the aisle of the church, to the amusement of the chorus (facing her) and bemusement of some of the audience!
              It's iPlayer Beatitudes for me too, as I'll be out Friday night.

              Comment


                Originally posted by Pulcinella View Post
                8.30 Vaughan Williams: Five Tudor Portraits

                Rachel Kelly (mezzo)
                Neal Davies (bass)
                CBSO Chorus
                City of Birmingham Symphony Orchestra
                John Wilson (conductor).

                Live on R3, before the watershed.

                Disgusted of Norwich, 1936
                It felt I was in heaven last night! I am glad JW is promoting Bax's music, albeit, his favourite orchestral score. I know why too, because of what he said before it was played. I think my favourite has to be his Spring Fire. So atmospheric.

                I am looking to the concert on Friday, I think, with Bliss's Beatitudes being played.
                Don’t cry for me
                I go where music was born

                J S Bach 1685-1750

                Comment


                  Beethoven
                  Symphony No. 3 ‘Eroica’
                  Shostakovich
                  Symphony No. 10
                  Dresdner Philharmonie/Michael Sanderling
                  Recorded 2015 (Beethoven) & 2016 (Shostakovich) Lukaskirche, Dresden
                  Sony

                  ‘Delirio’ - Handel - Natalie Dessay
                  Italian Cantatas
                  Delirio Amoroso, HWV 99
                  Qui l'Auge da Pianta in Pianta from Aci, Galatea e Polifemo, HWV 72
                  Mil Palpita il Cor, HWV 132b
                  Natalie Dessay (soprano)
                  Le Concert d'Astrée/Emmanuelle Haïm
                  Recorded 2005 Couvent des Dominicains de Haute-Alsace, Guebwiller & Église du Bon Secours, Paris
                  Virgin Classics

                  Comment


                    Sir Arnold Bax
                    Sonata for two pianos; Red Autumn; Hardanger;
                    The Poisoned Fountain; The Devil that Tempted St Anthony;
                    Molly Mell, "The pleasant plain, an Irish Tone Poem".
                    Jeremy Brown, Seta Tanyel(pianos).

                    A good companion to the RVW recording, imo.
                    Don’t cry for me
                    I go where music was born

                    J S Bach 1685-1750

                    Comment


                      Ravel. The Piano Concertos

                      Yuja Wang, piano.

                      Zurich Tonhalle-Orchestra.

                      Lionel Bringuier, conductor.

                      Comment


                        'Exiles' - Ophélie Gaillard
                        Bloch

                        Schelomo, Hebraic Rhapsody for cello and orchestra
                        Korngold
                        Concerto in one movement for cello and orchestra
                        Tanzlied des Pierrot, op. 12, Pierrot’s aria from opera Die tote Stadt
                        Orchestre Philharmonique Monte-Carlo/James Judd
                        Prokofiev
                        Overture on Jewish Themes, Op. 34
                        Recorded 2015 Auditorium Rainier III, Monaco
                        Bloch
                        From Jewish Life
                        Traditional
                        Wedding Dance
                        Chava Alberstein
                        Sarah Sings a Lullaby to Little Isaac
                        Freilechs (Trad) Sim Shalom, (Paikov Yeshayahu), Azoy Tantzmen in Odessa (trad)
                        Ophélie Gaillard (cello)
                        Sirba Octet Members
                        Recorded 2015 Notre Dame du Liban, Paris
                        Aparte

                        Meyerbeer – Grand Opera – Diana Damrau
                        Arias from: Le prophète, Robert le diable, Alimelek, oder die beiden Kalifen,
                        L'étoile du nord, L'Africaine, Il crociato in Egitto, Le pardon de Ploërmel (Dinorah),
                        Ein Feldlager in Schlesien, Emma di Resburgo, Les Huguenots
                        Diana Damrau (soprano)
                        Orchestre et Choeur de l’Opéra National de Lyon/Emmanuel Villaume
                        Recorded 2015 Opéra National de Lyon
                        Erato

                        Comment


                          This morning, while preparing artwork for an exhibition,

                          Debussy
                          Preludes, Martino Tirimo

                          Webern
                          Das Augenlicht op 26
                          Variationen op 27
                          Streichquartett op 28
                          Kantate Nr 2 op 31
                          Fünf Sätze (orch. version) op 5
                          Bach/Webern Fuga (Ricercata) Nr 2
                          Schubert "Deutsche Tänze" (orch. version: Webern)

                          Comment


                            Originally posted by visualnickmos View Post
                            This morning, while preparing artwork for an exhibition,

                            Debussy
                            Preludes, Martino Tirimo

                            Webern
                            Das Augenlicht op 26
                            Variationen op 27
                            Streichquartett op 28
                            Kantate Nr 2 op 31
                            Fünf Sätze (orch. version) op 5
                            Bach/Webern Fuga (Ricercata) Nr 2
                            Schubert "Deutsche Tänze" (orch. version: Webern)
                            Great stuff!

                            Coincidentally, I bought the Tirimo Debussy CDs as they came out and really like them.

                            Comment


                              Originally posted by Beef Oven! View Post
                              Great stuff!

                              Coincidentally, I bought the Tirimo Debussy CDs as they came out and really like them.
                              Thanks They are a marvellous Debussy traversal, indeed. Tirimo's Brahms PCs are pretty fine renditions, too...

                              Intrestingly, it is very rare for the type/make/age of the piano to be stated on solo piano recordings, and yet the huge range and variations of piano 'sound' is quite staggering, and it would be nice to know exactly what instrument was used.... just a thought...

                              Comment


                                Originally posted by visualnickmos View Post
                                Thanks They are a marvellous Debussy traversal, indeed. Tirimo's Brahms PCs are pretty fine renditions, too...

                                Intrestingly, it is very rare for the type/make/age of the piano to be stated on solo piano recordings, and yet the huge range and variations of piano 'sound' is quite staggering, and it would be nice to know exactly what instrument was used.... just a thought...
                                I wouldn’t know the difference between a Steinway and pork pie

                                Comment

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