Dave Hurwitz reviews - love 'em or hate 'em
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Originally posted by Lordgeous View PostIsn't there a similar discussion to be had regarding the female voice? Is anyone here a lover of wide, uncontrolled vibrato? I know it puts many of my 'non-classical' friends off.
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Originally posted by gradus View Post
Its a matter of taste, but surely not third-rate. To take an example, his argument against vibrato-less playing. From memory he maintains that conductors eg Walter, Klemperer, Walter, Furtwangler, Toscanini, who were contemporaries of revered victorian/edwardian composers and were thus well informed about historic orchestral playing styles did not follow the approach of those who oppose vibrato and claim authenticity? Seems a reasonable point.
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Originally posted by neiltingley View Post
He has researched and published on this topic. He knows his onions. https://www.cambridge.org/core/journ...A30AA6424C8F7E
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Since being a bit rude about him in an earlier post I've been delving more into his videos and actually find much of what he says to agree with and enjoy. The typical American brashness can be a bit of a turn off to us more reserved Brits but he knows what he talks about and has great communicative skills.
He does tend to have a bias towards Bernstein and Ormandy and routinely trashes Rattle, Abbado, Haitink and Solti whenever the opportunity arises (and sometimes when it doesn't) but I can strongly recommend his series on 'Reference Recordings' which mostly coincide with my own guess.
If he wants to rip someone to pieces (eg Currentzis or Makala) he certainly doesn't pull his punches so be warned!"The sound is the handwriting of the conductor" - Bernard Haitink
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His earlier videos are quite different and more restrained. He can be interesting but I find irritating his inability (real or acted) to remember people`s name or pronounce them even vaguely - always coming out with "whatever you want to call them". It comes over as sloppily discourteous. But there`s no doubting the breadth of his experience.
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