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    Originally posted by EdgeleyRob View Post
    Mozart Prague Symphony (my favourite Mozart Symphony) / ASMF Marriner.
    Mine, too!

    Today:
    Bach: Cantatas BWV 4 & 5; Leonhardt/Harnoncourt and all the other boys in the band.

    Nono: No Hay Caminos .... Andrei Tarkowskij, "Hay que caminar" sognando, Camintes ... Ayacucho; Arditti & Jennings; etc /Pomerico. (KAIROS)

    Stockhausen: Kontra-Punkte, Refrain, Zeitmasse, Schlagtrio; Ensemble Recherche/Rupert Huber. (WERGO)
    [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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      Robin Trower, Bridge of Sighs. 1974, Chrysalis.

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        Shostakovich Violin Concertos.
        No 1 Viktoria Mullova / Royal Philharmonic Orchestra / Andre Previn.
        No 2 Gidon Kremer / Boston Symphony Orchestra / Seiji Ozawa.



        Great little set this IMVHO,I wonder what our resident DSCH experts think.

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          This morning - Nicholas Maw, Odyssey, Rimon Sattle CBO,
          now Humble Pie - Not 'n' Nasty Rockin' the Winterland.

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            Schubert: Symphony No 4 'Tragic'

            Brahms: Ein Deutsches Requiem

            Gundula Janowitz (soprano), Eberhard Waechter (baritone)
            Wiener Singverein
            Berlin Philharmonic Orchestra
            Herbert von Karajan
            "The sound is the handwriting of the conductor" - Bernard Haitink

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              Bruckner Symphony No. 8
              Dresden Staatskapelle/Jochum

              Mozart Piano Quartet, K493
              Brendel and members of the Alban Berg Quartett

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                Elgar: Violin Concerto
                James Ehnes
                Philharmonia/Davis

                Mahler: Symphony No 2
                Dresden Staatskapelle/Haitink

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                  Martinu: String Quartet No. 5
                  Martinu Quartet

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                    Originally posted by Alison View Post
                    Mahler: Symphony No 2
                    Dresden Staatskapelle/Haitink
                    Ah, glad to see you got this! What do you think? For me, the dynamic range is enormous and I had initial problems in finding the right volume setting but very impressive once I did. The final climax was overwhelming! Haitink's interpretation has hardly changed since his 1968 Concertgebouw reading and none the worse for that. The off-stage brass is perfectly 'placed' in the Dresden performance as well, best on disc I'd say. The percussion crescendo as the graves open was pretty earth-shaking and nearly had me pinned to the back wall!
                    "The sound is the handwriting of the conductor" - Bernard Haitink

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                      Wagner, The Twilight of the Gods. ENO, Goodall, Chandos.
                      Over 2 and a half hours into it and I think I must leave Act 3 for tomorrow - getting tired!

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                        Beethoven, Symphony no. 6 transcribed Liszt: Yury Martynov (Érard piano 1837): ZigZag Territoires. This is fascinating and very imaginatively played; fascinating as an autonomous work, fascinating as Liszt's reading of Beethoven.

                        Stockhausen, Inori: Elizabeth Clarke / Alain Louafi / Suzanne Stephens / Maria Bergmann / SWRF Orchestra / Stockhausen: Stockhausen edition, vol. 22.

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                          Boccherini: Cello Quintets
                          Vanbrugh Quartet, Richard Lester (second cello)

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                            Bruckner 8, Hamburg Radio SO, Carl Schuricht on Urania via Spotify.

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                              A bit of a Norrington evening:

                              Mozart - Symphony No.41 'Jupiter' - LCP, though I shall LA to tomorrow's BaL winner
                              Bruckner - Symphony No.9
                              Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....

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                                Think I've got that Norrington Mozart Jupiter somewhere. As I recall it's ludicrously fast. I'm guessing the new one isn't so extreme.

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