With 2 threads going on the piece, I'm listening to Simon Rattle's Mahler 10.
What are you listening to now - I ?
Collapse
Announcement
Collapse
No announcement yet.
This topic is closed.
X
This is a sticky topic.
X
X
-
Roehre
Today:
Rosy Wertheim:
3 Chansons (1939)
2 Lieder (1922)
4 Songs (1933)
Beethoven:
Christus am Oelberge op.85 (1803 rev ’10)
String quartet in C op.59/3 “Rasumovsky 3”
Comment
-
Berliner Philharmoniker - Sir Simon Rattle - Sibelius Edition
Symphonies 1-7
Berliner Philharmoniker/Sir Simon Rattle
Recorded live 2013/14 Philharmonie, Berlin
Berliner Philharmoniker own label
Andreas Scholl - Handel - Ombra mai fu
Arias from Admeto, Serse, Giulio Cesare,
Radamisto, Alcina, Alexander’s Feast
Andreas Scholl (countertenor)
Akademie für Alte Musik Berlin
Recorded 1998 Christuskirche, Oberschöneweide, Berlin
Harmonia Mundi
Coleman Hawkins with Charlie Shavers, Ray Byrant,
Tiny Grimes, George Duvivier with Osie Johnson
‘Hawk Eyes’
Prestige (1959)
Comment
-
Brahms: Piano Quartet op. 25 orchestrated by Schoenberg
Netherlands Philharmonic Orchestra / Marc Albrecht
Great stuff. Arnold's studying of Brahms scores certainly paid off. The central section of the third movement is a riot, and the finale sounds like an until-now undiscovered Hungarian Dance. Terrific performance and (Pentatone) recording too.
Ludwig Berger: Die schöne Müllerin op. 11
Schubert: Die schöne Müllerin D.795
Markus Schäfer (tenor), Tobias Koch (fortepiano)
I'm not sure. The booklet notes make much of the performance tradition at Schubertiades and the like, with performers more likely than not to indulge in embellishment and variation, especially in strophic songs. The problem here is that what would be spontaneous in a live performance loses out when committed to disc. I fear this recording would become wearing after a couple of hearings.
Comment
-
Originally posted by Stanfordian View PostHIya Jimbo,
Of course not. I'm working my way throught the set. Somtimes dipping in. I will be playing the set over the next few days.
My tastes must be changing, or I am getting older, not sure. I am actually listening to Abbado conducting Mozart, with the Orchestra Mozart, a collection of WAM's wind concerti..Don’t cry for me
I go where music was born
J S Bach 1685-1750
Comment
-
Originally posted by Brassbandmaestro View PostMy tastes must be changing, or I am getting older, not sure.
I am actually listening to Abbado conducting Mozart, with the Orchestra Mozart, a collection of WAM's wind concerti..[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
Comment
-
I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
Comment
-
Originally posted by ferneyhoughgeliebte View PostI can reassure you that you are getting older, Bbm - that's the way time goes in this Universe.
Why is this a "change of taste"? You often make an exception for Abbado's performances from your "I hate Mozart" blanket statements.Don’t cry for me
I go where music was born
J S Bach 1685-1750
Comment
-
This:
There were three rauens sat on a tree, downe a downe, hay downe, hay downe There were three rauens sat on a tree, with a downe, There were three ...
It's John Harle's setting of "The Three Ravens" (with a new tune by Harle himself, rather than an arrangement of the original tune (composed or collected) by Thomas Ravenscroft.) I first heard it during Simon Schama's "A History of Britain" - it tended to crop up when something particularly dire was being described (for example, the bit about the execution of Mary Queen of Scots.) It really got to me: I later tracked it down on youtube - and to some extent wish I hadn't: I think it's a wonderful piece, but it's also one of the most persistent earworms I know (particularly that strange opening, with the horn's rising ninth, and the flute's little chromatic turn.)
Comment
Comment