Messiaen: Des canyons aux étoiles (Yvonne Loriod, Ensemble Ars Nova, Marius Constant). Might try the Inon Barnatan/Santa Fe/Gilbert live recording later.
What Are You Listening To Now? - II
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Originally posted by Brassbandmaestro View PostHiya Pet. I haven't listened to this particular recording for a long time. May have to now!(Re the Mahler! )"The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by Petrushka View PostI hadn't played Rattle's CBSO recording of Mahler 7 for many years but was pleasantly surprised to find it was a lot better than I remembered. The key, I think, is to listen at a higher volume setting than normal. Heard at a usual setting it sounds uninvolving but bump that volume control up and it really opens out and comes to life.
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Originally posted by pastoralguy View PostYou know, Pet, I found that a lot of EMI CDs from that period are, imho, under-recorded. The worst offender was Nigel's cd of the Sibelius with Sir Simon and his Tchaikovsky with Okku Kamu which are so dim as to be almost unlistenable. I'm not sure why this should be but I don't think the 80's were a good time for EMI's CDs."The sound is the handwriting of the conductor" - Bernard Haitink
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Originally posted by Richard Barrett View PostI must try to have a listen to those Paul Kim Messiaen discs. Indeed that reminds me - there's another disc on the same label with a recording of something of mine on it that I've never heard, I guess I should order that too.
Ah, found it using a different approach, Dark Ages for cello with two bows.Last edited by Bryn; 02-04-17, 01:02.
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Originally posted by Bryn View PostI tried Googling you name, along with that of the label, but no hits were returned. Can you offer a clue or two?Shop classical & jazz new releases on CD, DVD, Blu-Ray, vinyl, and more, featuring today's top labels & artists!
this maybe ?
top billing too.
Yours for £10.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by Petrushka View PostI hadn't played Rattle's CBSO recording of Mahler 7 for many years but was pleasantly surprised to find it was a lot better than I remembered. The key, I think, is to listen at a higher volume setting than normal. Heard at a usual setting it sounds uninvolving but bump that volume control up and it really opens out and comes to life.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by Brassbandmaestro View PostHope you have no neighbours!!"The sound is the handwriting of the conductor" - Bernard Haitink
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Beefy, I bet that's a self recommending recording?
Schubert
Mass no.6 in Eb, D950.
Soloists, Collegium Musicum 90, Richard Hickox.
Haydn
Mass no.12, in Bb, "Theresienmesse".
Soloists, The Monteverdi Choir,
English Baroque Soloists, Sir John Eliot GardinerDon’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by Beef Oven! View PostIgor Stravinsky - Le Sacre Du Printemps
Minneapolis Symphony Orchestra, Antal Dorati. 1959 recording (CD)
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