Originally posted by Tony
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What Classical Music Are You listening to Now? III
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Originally posted by Richard Barrett View PostMy own Hindemith favourites list has very little in common with Tony's! - I would mention the operas Sancta Susanna, Das Nusch-Nuschi and Cardillac; the seven "Kammermusik" chamber concertos (one each for violin, viola, cello, piano, organ and viola d'amore, and one without a soloist), the Harp Sonata, the viola concerto Der Schwanendreher, the unaccompanied violin and viola sonatas, and the string quartets.
Then, but off topic, there's Walton's Variations on a theme by Hindemith, the coupling to a version of Mathis and the Symphonic Metamorphoses that I have.
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Originally posted by Pulcinella View PostMust listen to Nobilissima again.
Bank holiday muse: what other art-inspired pieces are there to concoct a concert programme with, this work being the result of a visit Hindemith made to Santa Croce in Florence in 1937?
Martinu's Fresques springs to mind, but apparently Respighi's Church windows were given that title after their composition/orchestration, not as an original concept.
McCabe's Chagall windows would fit the bill, though.
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There is a full set of the Kammermusik, performed by the Ensemble 13 Baden Baden,in installments 152 and 153 of the Avant Garde project, with full liner notes.
You'll need to download ( which is free of charge)to hear, but I strongly recomend a listen.
I noticed that Gurney was listening to a recording by Chailly recently,so might try to get a listen to tha to compare.
The AGP tends to be pretty scrupulous about only allowing download of commercially unavailable le material, BTW.
Edit: there are some other Hindemith works on the AGP, including Marienleben.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by Petrushka View PostHindemith is something of a strange composer, one I never really know what to make of, his place in musical history perhaps based more on Furtwangler's defence of him in the Third Reich than much of the music he wrote. However, I recall a Prom concert from the Gustav Mahler Youth Orchestra and Claudio Abbado in 1995 when I was knocked out by the encore they played. I asked one of the orchestra members what it was and it turned out to be the Passacaglia from Hindemith's Nobilissima Visione.
I searched out a recording and came up with Wolfgang Sawallisch and the Philadelphia Orchestra. I do like the Symphonic Metamorphoses on a Theme by Weber and the Symphony Mathis der Maler which are included on the disc together with the Nobilissima Visione suite. Perhaps the unwieldy titles don't do Hindemith any favours but this is the extent of my knowledge of his music.
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Originally posted by Pulcinella View PostDoing so; San Francisco Symphony/Blomstedt
Bank holiday muse: what other art-inspired pieces are there to concoct a concert programme with, this work being the result of a visit Hindemith made to Santa Croce in Florence in 1937?
Martinu's Fresques springs to mind, but apparently Respighi's Church windows were given that title after their composition/orchestration, not as an original concept.
McCabe's Chagall windows would fit the bill, though.
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Originally posted by teamsaint View PostThere is a full set of the Kammermusik, performed by the Ensemble 13 Baden Baden,in installments
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Originally posted by Richard Barrett View PostThose are excellent performances, I think I prefer them to the Chailly set, and the Abbado, and what I think was the first complete recording, by Concerto Amsterdam in the 1960s.
Might be worth mentioning that KM7, for organ and chamber orchestra, is not the same piece as the organ concerto, which I have as the coupling to the organ sonatas. I find the (full) concerto a bit heavy going, but like the sonatas a lot (I used to have an LP of Lionel Rogg playing them, iirc).
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Originally posted by Richard Barrett View PostThose are excellent performances, I think I prefer them to the Chailly set, and the Abbado, and what I think was the first complete recording, by Concerto Amsterdam in the 1960s.
"This concerto, above all others, has become the point of departure of a Hindemith following,which has been able to produce only pale copies of what he succeeded in doing here".(Andres Briner).
Edit: just listening to the Kammermusik 6, the Viola d'amore concerto, and I had a powerful feeling of some other composer present, ( in my mind obviously) and then I realised that it was Malcolm Arnold.
Not sure how far the influences went, but I've also been meaning to go back to the slow movement of Arnold's first Horn Concerto, which is rather a striking piece of music. Perhaps there is something of Hindemith in that ? ( thats just a stab in the dark, BTW).Last edited by teamsaint; 01-05-17, 17:08.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by Pulcinella View PostBank holiday muse: what other art-inspired pieces are there to concoct a concert programme with[?]
Rachmaninoff's Isle of the Dead (after Böcklin)
Liszt's - Die Hunnenschlacht (after von Kaulbach). (If you've got a chorus handy, Liszt's St Elizabeth was inspired by frescos by Moritz von Schwindt).
Walton's Portsmouth Point (after Rowlandson) and Scapino (Callot)
Gerard Schurmann and Mark Antony Turnage have written orchestral works based on paintings by Francis Bacon
Gunther Schuller's Seven Studies on Themes of Paul Klee[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostAn orchestral concert of course rules out Mussorgsky's piano masterwork, but there's also
Rachmaninoff's Isle of the Dead (after Böcklin)
Liszt's - Die Hunnenschlacht (after von Kaulbach). (If you've got a chorus handy, Liszt's St Elizabeth was inspired by frescos by Moritz von Schwindt).
Walton's Portsmouth Point (after Rowlandson) and Scapino (Callot)
Gerard Schurmann and Mark Antony Turnage have written orchestral works based on paintings by Francis Bacon
Gunther Schuller's Seven Studies on Themes of Paul Klee
Henze Raft of the Medusa
While the Henze isn't strictly orchestral it can fit into a programme as followers of my Towards the Millennium re-created concerts on The Rest is Noise thread will find out."The sound is the handwriting of the conductor" - Bernard Haitink
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Oh.....I should have started a new b/h fun thread!
Mention of Paul Klee takes me to
Sandor Veress: Hommage à Paul Klee, inspired by Klee's painting Stone Collection, so the liner notes tell me.
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