Hear and Now - 26th November 2011 - British Composer Awards, Skempton's Lento
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austin
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Trudge
Originally posted by Serial_Apologist View PostAs to instances of "hoodwinking" we have the example from the early 1960s of two serious music critics (not composers, true, but in the case of one a renowned author and broadcaster on contemporary composition) messing about in a BBC studio with percussion and electronics, and the resulting piece being passed off as by one Piotr Zotik, iirc, and judged as a serious piece of experimental music by the reviewers.
But – and this is absolutely to the point – none of them thought it worth a candle as a piece of music. They may have reviewed it seriously, but they all thought it was crap. And said so in print. So the idea that you could fake this stuff was completely holed below the water. Quite the opposite of Keller's intention, I'm sure, even if the legend tells it differently these days.
*NB This was a time when several national publications would carry reviews of a short item broadcast on R3. Wow.
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