What Are You Listening To Now? - II

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    Originally posted by Stanfordian View Post
    It's not half bad. Better than I expected. Anthony Payne does a marvellous job with his orchestrations.
    Thanks! I'll have to be extra nice to Mrs.BBM

    "The Sony Great Wagner Recordings Vol.1"

    Der Fliegende Hollander.

    James Morris, Deborah Voigt, Ben Heppner,
    Jan-Hendrik Rootering,
    Paul Groves, Brigitta Svendes,
    Metropolitan Opera Orchestra and Chorus, James Levine.
    Don’t cry for me
    I go where music was born

    J S Bach 1685-1750

    Comment


      Diana Burrell: Concerto for Brass and Orchestra currently live from the Barbican.

      I suggest the BBC needs to revisit its commissioning policy: this sounds like meaningless doodling and wholly without merit.

      Comment


        Originally posted by Alison View Post
        Diana Burrell: Concerto for Brass and Orchestra currently live from the Barbican.

        I suggest the BBC needs to revisit its commissioning policy: this sounds like meaningless doodling and wholly without merit.
        Harsh

        Comment


          Originally posted by Beef Oven! View Post
          Harsh
          What a relief to turn to Haydn! Just saying.

          Comment


            Originally posted by Alison View Post
            What a relief to turn to Haydn! Just saying.
            Papa’s Home

            Comment


              Originally posted by Alison View Post
              Diana Burrell: Concerto for Brass and Orchestra currently live from the Barbican.

              I suggest the BBC needs to revisit its commissioning policy: this sounds like meaningless doodling and wholly without merit.

              A couple of years ago none other than Riccardo Chailly stated that commissioning new works is one of the hardest things a music director and his organisation can do. Evaluating the worth must be so challenging. That's why I suppose that the same tried and tested composers get the Lion's share of the commissions such as John Adams and Wolgang Rihm.

              Comment


                Shostakovich
                Cello Concertos No’s 1 & 2
                Alisa Weilerstein (cello)
                Symphonieorchester des Bayerischen Rundfunks/Pablo Heras-Casado
                Recorded 2015 Herkulessaal, Munich,
                Decca

                Weinberg
                Works for Violin & Piano, Vol. 2
                Stefan Kirpal (violin), Andreas Kirpal (piano), Gundula Kirpal (violin II)
                Recorded 2010 KUBIZ Unterhaching (CD 1) & 2012 Burghausen, Germany (CD 2)
                CPO

                Comment


                  Handel: Messiah
                  Elizabeth Harwood (soprano), Marjorie Thomas (contralto)
                  Gerald English (tenor), Kim Borg (bass)
                  Sheffield Philharmonic Chorus
                  Halle Orchestra
                  Sir John Barbirolli

                  Given in the King's Hall, Belle Vue, Manchester on December 6 1964

                  Enjoying this. There is a some hiss and inter-movement audience noise for those bothered about such things but the mono sound otherwise has splendid body and presence and is considerably better than I would have expected in a radio recording of this age. In any case, the ear very quickly adapts.

                  Anyone considering a purchase shouldn't hesitate.
                  "The sound is the handwriting of the conductor" - Bernard Haitink

                  Comment


                    This evening:

                    Listening to my scores - recent purchases 17:

                    Liszt:
                    A Faust Symphony - study score

                    Comment


                      Originally posted by Petrushka View Post
                      Handel: Messiah
                      Elizabeth Harwood (soprano), Marjorie Thomas (contralto)
                      Gerald English (tenor), Kim Borg (bass)
                      Sheffield Philharmonic Chorus
                      Halle Orchestra
                      Sir John Barbirolli

                      Given in the King's Hall, Belle Vue, Manchester on December 6 1964

                      Enjoying this. There is a some hiss and inter-movement audience noise for those bothered about such things but the mono sound otherwise has splendid body and presence and is considerably better than I would have expected in a radio recording of this age. In any case, the ear very quickly adapts.

                      Anyone considering a purchase shouldn't hesitate.
                      Have done and yes, fully concur. I received the Sir Andrew Davis new recording of messiah today, will play it tomorrow.
                      Don’t cry for me
                      I go where music was born

                      J S Bach 1685-1750

                      Comment


                        Originally posted by Brassbandmaestro View Post
                        Have done and yes, fully concur. I received the Sir Andrew Davis new recording of messiah today, will play it tomorrow.
                        I'd like to see an unbiased review of the Davis version before committing myself but it certainly looks intriguing.

                        I've now heard the Barbirolli recording in full and what a shame that the applause is cut so short at the end. One has the impression throughout of eavesdropping on a live performance and a bit of the clearly thunderous ovation would have been absolutely right. A pity if the original recording was so truncated.
                        "The sound is the handwriting of the conductor" - Bernard Haitink

                        Comment


                          Poulenc
                          Concerto for organ, strings and timpani
                          Saint-Saëns
                          Symphony No. 3 ‘Organ’
                          James O’Donnell (organ)
                          London Philharmonic Orchestra/Yannick Nézet-Séguin
                          Recorded live 2014, Royal Festival Hall, London
                          LPO label
                          My preferred account of the 'Organ' Symphony!

                          Thuille, Poulenc, Françaix - Sextets
                          Thuille
                          Sextet for piano, flute, oboe, clarinet, bassoon and horn, op. 6
                          Poulenc
                          Sextet for piano, flute, oboe, clarinet, horn and bassoon, FP 100
                          Françaix
                          L’heure du Berger for piano and string quintet
                          Margarita Höhenrieder (piano)
                          Kammerharmonie der Sächsischen Staatskapelle Dresden
                          Released 2016 - Klosterbibliothek Polling - No recording date given.
                          Solo Musica
                          Stunning playing!

                          Comment


                            Scriabin
                            Piano Sonatas 1-4
                            Peter Donohoe
                            My life, each morning when I dress, is four and twenty hours less. (J Richardson)

                            Comment


                              I will indeed, Pet, put one up but being a fan of Andrew Davis, might not be unbiased but I will give it my best shout.

                              Hiya Stan, that recording of the Poulenc, seemed to have escaped my attention. Looks very good combination!
                              Don’t cry for me
                              I go where music was born

                              J S Bach 1685-1750

                              Comment


                                Mozart: Piano Concerto No 24

                                [interval]

                                Bruckner: Symphony No 4

                                Staatskapelle Berlin
                                Daniel Barenboim (piano/conductor)

                                Given in the Royal Albert Hall, London, September 5 2016 at the BBC Proms.
                                "The sound is the handwriting of the conductor" - Bernard Haitink

                                Comment

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